Kooperativer Bibliotheksverbund

UID:

Umfang: IX, 195 S.

Serie: International scholars Forum 1

Sprache: Deutsch

Fachgebiete: Germanistik

Schlagwort(e): 1875-1955 Mann, Thomas ; Liebe

Mehr zum Autor: Hirschbach, Frank Donald

UID:

Umfang: 1 online resource (573 p.)

Ausgabe: 1st ed.

ISBN: 0-429-92209-4 , 0-429-90786-9 , 0-429-48309-0 , 1-283-30585-2 , 9786613305855 , 1-84940-888-2

Inhalt: 'The re-issuing of the four volumes of Heinz Kohut's writings is a major publishing event for psychoanalysts who are interested in both the theoretical and the therapeutic aspects of psychoanalysis. These volumes contain Kohut's pre-self psychology essays as well as those he wrote in order to continue to expand on his groundbreaking ideas, which he presented in The Analysis of the Self; the Restoration of the Self; and in How Does Analysis Cure?These volumes of The Search for the Self permit the reader to understand not only the above three basic texts of psychoanalytic self psychology more pr

Anmerkung: Originally published: New York : International Universities Press, 1978. , Cover; Copy Right; Foreword; Introduction: The Evolution of Heinz Kohut's Psychoanalytic Psychology of the Self; 1. Death in Venice by Thomas Mann: A Story About the Disintegration of Artistic Sublimation; 2. August Aichhorn - Remarks After His Death; 3. On the Enjoyment of Listening to Music; 4. Discussion of "The Function of the Analyst in the Therapeutic Process"; 5. Book Review of Psychanalyse de la Musique (1951); 6. Discussion of "Natural Science and Humanism as Fundamental Elements in the Education of Physicians and Especially Psychiatrists" , 7. Discussion of " 'Eros and Thanatos': A Critique and Elaboration of Freud's Death Wish"8. Book Review of The Haunting Melody: Psychoanalytic Experiences in Life and Music; 9. Book Review of Beethoven and His Nephew: A Psychoanalytic Study of Their Relationship; 10. Discussion of "Modern Casework: The Garrett; 11. Discussion of "The Role of the Counterphobic; 12. Introspection, Empathy, and Psychoanalysis: An Examination of the Relationship Between Mode of Observation and Theory; 13. Observations on the Psychological Functions of Music , 14. Book Review of The Arrow and the Lyre: A Study of the Role of Love in the Works of Hirschbach 15. Discussion of "Some Comments on the Origin of; 16. Discussion of "A Note on Beating Fantasies"; 17. Discussion of "Looking Over the Shoulder"; 18. Childhood Experience and Creative Imagination Contribution to Panel on the Psychology of Imagination; 19. Beyond the Bounds of the Basic Rule: Some Recent Contributions to Applied Psychoanalysis; 20. Discussion of "Further Data and Documents in; 21. Discussion of "The Unconscious Fantasy"; 22. The Psychoanalytic Curriculum , 23. Concepts and Theories of Psychoanalysis-by 24. The Position of Fantasy in Psychoanalytic Psychology - Chairman's Introductory Remarks to the Symposium on Fantasy; 25. Some Problems of a Metapsychological Formulation of Fantasy - Chairman's Concluding Remarks to the Symposium on Fantasy; 26. Franz Alexander: In Memoriam; 27. Values and Objectives; 28. Autonomy and Integration; 29. Discussion of "Correlation of a Childhood and Adult Neurosis: Based on the Adult Analysis of; 30. Discussion of "Termination of Training Analysis" Grinberg, and Marie Langer , 31. Discussion of "Some Additional 'Day Residues' of 'The Specimen Dream of Psychoanalysis' "32. Forms and Transformations of Narcissism; 33. The Evaluation of Applicants for Psychoanalytic Training; 34. The Psychoanalytic Treatment of Narcissistic Personality Disorders: Outline of a Systematic Approach , English

Weitere Ausg.: ISBN 0-367-32870-4

Weitere Ausg.: ISBN 1-85575-869-5

Sprache: Englisch

DOI: 10.4324/9780429483097

UID:

Umfang: 1 online resource (226 pages)

Ausgabe: 1st ed.

ISBN: 1-80327-563-4

Inhalt: Tauric Chersonesos was one of the prominent ancient Greek centres on the north coast of the Black Sea. This comprehensive study of the cults of the gods of the Chersonesan polis, firmly based on the available sources, sheds new light on the religious life of this ancient Greek centre at various stages in its development.

Anmerkung: Cover -- Title Page -- Copyright Page -- Contents Page -- List of Figures -- Map 1: Black Sea region in Ancient times. -- Map 2: City plan of Chersonesos (after A.I. Romanchuk). -- Figure 1: City street, Chersonesos. -- Figure 2: Obverses of Chersonesan coins, the reverses of which depict a bull with bowed head (after V.O. Anokhin): a) Seated Parthenos with an arrow in her hand and a deer (380-370 BC) -- b) Head of Parthenos with her hair not in tresses, or head of Apollo -- Figure 3: Image of a bull on coins, and the obverses of such coins from Chersonesos (after V.O. Anokhin): a) Bull with head bowed -- b) Herakles' labour on coins of Herakleia Pontica -- c) Parthenos with a bow hunting a deer (300-290 BC) -- d) Head of Herakles -- Figure 4: Silver cup with a scene of a bull offering at the funeral of Tiberius (Boscoreale, after P. Zanker). -- Figure 5: Plan of the north-eastern temenos of Chersonesos (after A.V. Buiskykh). -- Figure 6: Marble depiction of Parthenos, or an Amazon with bow, 2nd century BC. ('Tauric Chersonesos' National Preserve). -- Figure 7: Reconstruction of temples in the north-eastern temenos of Chersonesos (after A.V. Buiskykh). -- Figure 8: Images of Parthenos on Chersonesan coins (after V.O. Anokhin): a) 260-250 BC -- b-d) 250-230 BC. -- Figure 9: Central street, Chersonesos. -- Figure 10: Image of Herakles' feast, Moinaky, the Chersonesan chora ('Tauric Chersonesos' National Preserve). -- Figure 11: Relief image of Parthenos from Chersonesos chora (reconstruction by L.A. Kovalevska and A.V. Shevcenko). -- Figure 12: Images on coins from Chersonesos (after V.M. Zubar): a) Chersonas with lyre -- b) Parthenos with a bow and dart. -- Figure 13: Theatre, Tauric Chersonesos. -- Figure 14: Inscription fragment from a marble slab (after E.I. Solomonik). , Figure 15: Limestone relief depicting the Mother of the Gods, 2nd century AD ('Tauric Chersonesos' National Preserve). -- Figure 16: Altar with images of Hermes and Herakles, first centuries AD ('Tauric Chersonesos' National Preserve). -- Figure 17: 'Basilica 1935', Chersonesos. -- Figure 18: Relief with image of Parthenos (АСХ: no. 79). -- Figure 19: Terracotta thymiaterion in the shape of an altar with cultic scenes, 3rd century BC ('Tauric Chersonesos' National Preserve). -- Figure 20: Room 9, city-block I. General view after excavations in 1986 (after M.I. Zolotarev). -- Figure 21: Plan of a house with vines in the paved inner yard in city-block XVIII (after G.D. Belov). -- Figure 22: Fragments of sarcophagi walls with images of snakes, found in the paved floor of 'Basilica 1935' (after G.D. Belov). -- Figure 23: Plan of House 3 in 'Strabo's Chersonesos' (after N.M. Pechenkin). -- Figure 24: Offering scene on a limestone altar, first centuries AD ('Tauric Chersonesos' National Preserve). -- Figure 25: Terracottas with holes for hanging: a) Fragmented protomae, 5th or first half of 4th century BC (after A.V. Shevchenko) -- b) Protoma, 3rd century BC (after G.D. Belov) -- c) Eros Thanatos, 3rd century BC (after G.D. Belov). -- Figure 26: Iacchus facing Demeter, on a votive ceramic slab from the Eleusinian sanctuary (The National Archaeological Museum, Athens). -- Figure 27: Terracotta cast and mould of Eros Thanatos, from Messembria (The Nesebar Archaeological Museum). -- Figure 28: Terracotta image of Eros accompanying a bride, from Corinth (after N.N. Britova). -- Figure 29: Fragment of wall painting from a crypt discovered by M.I. Rostovtsev in 1894 in Chersonesos (after V.M. Zubar). , Figure 30: Terracotta figurines with moveable limbs: a) Figurines of the 2nd/3rd centuries AD, with votives in their hands, from Bosporus (after I.D. Marchenko) -- b) Cast with mould, 4th century BC (The Archaeological Museum, Corinth) -- c) Figurines, 950-9 -- Figure 31: Plan of city-block I, showing findspots of cult objects (after K.E. Grinevich). -- Figure 32: Plan of city-block II, showing findspots of cult objects (after K.E. Grinevich and A.V. Buiskykh). -- Figure 33: Plan of city-block III, showing findspots of cult objects (after K.E. Grinevich and A.V. Buiskykh). -- Figure 34: Plan of city-block XCVII, showing findspots of cult objects (after M.I. Zolotarev). -- Figure 35: Pebble mosaics of the 4th century BC from the northern region of Chersonesos. -- Figure 36: Architectural details found in the wall of Zeno's Tower (after V.M. Danylenko): a) Acroterion from a stele -- b) Fragment of the covering. -- Figure 37: Hellenistic terracotta protomae: a) A goddess with fertility symbols, Chersonesos (after G. D. Belov) -- b) Aphrodite, Chersonesos (after G. D. Belov) -- c) Mother of the Gods, Messembria (The Nesebar Archaeological Museum). -- Figure 38: Terracotta figurines from Chersonesos: a) Goddess on a throne (after V.M. Zubar) -- b) Fully draped woman (after V.M. Zubar) -- c) Boar's head (after G.D. Belov). -- Figure 39: Red-figured krater found in a grave, turn of the 5th/4th centuries BC (after G.D. Belov). -- Figure 40: Masks depicted in various forms: a) Terracotta masks, Chersonesos, 3rd century BC (after G.D. Belov) -- b) Gold plates with ithyphallic figure and masks, c. AD 50 (The Kerameikos Archaeological Museum) -- c) Marble sarcophagus detail, Chersonesos, -- Figure 41: Terracotta 'rattle' depicting Eros, turn of the 1st/2nd centuries AD (after D.V. Zhuravlev). , Figure 42: Sculpture images of snakes: a) Polychromous, Panske I (The Yevpatoria Local Lore Museum) -- b) Fragment of marble sculpture from a house in city-block XXII, Chersonesos (after G.D. Belov). -- Figure 43: Bone pommel in the shape of a hand (after G.D. Belov and S.F. Strzheletskyi). -- Figure 44: Bone pins from Chersonesos: a) From Burial 2582, near Zeno's Tower (after I. Repnikov) -- b) From the area of the necropolis near the southern defensive wall (after K.K. Kostsiushko-Valiuzhynych). -- Figure 45: Lead trefoils from burials of the 3rd/2nd centuries BC (after R.V. Stoianov). -- Figure 46: Graphic images of a boar and a lion on a fragment of black-glazed pottery, late 5th/early 4th century BC (after E.I. Solomonik). -- Figure 47: Bronze statuette of Isis, mid 2nd century AD ('Tauric Chersonesos' National Preserve). -- Figure 48: Fragment of a marble relief depicting Mithras Taurocones, 2nd/3rd centuries AD (АСХ 94). -- Figure 49: Gravestones fragments with images of a feast: a) АСХ 344 -- b) Of Aurelius Demas (after V.M. Zubar and I.A. Antonova) -- c) АСХ 329. -- Figure 50: Images of the 'afterlife feast' on gravestones: a) Of the first centuries AD from Chersonesos (АСХ 336) -- b) From Tomis, 2nd century AD (Monuments Archéologiques de Roumanie). -- Figure 51: Relief depictions of Demeter receiving gifts from her adorants, 4th century BC (The Archaeological Museum of Eleusis). -- Figure 52: Marble votive slab with a hero at a feast, 4th century BC ('Tauric Chersonesos' National Preserve). -- Figure 53: Votive slabs: a) Pluto and Kore receiving gifts from their adorants, early 4th century BC (The Archaeological Museum of Eleusis) -- b) Bringing offerings to a hero, 4th/3rd centuries BC (The Archaeological Museum, Corinth). -- Figure 54: Hellenistic gravestones, Chersonesos (after V.M. Danylenko). , Figure 55: Gravestone of Aristophontes, Panticapaeum, 3rd century BC. (Корпус боспорских надписей, no. 241). -- Introduction -- History of Study, Sources and Methods -- The Supreme Gods -- The Pantheon of Chersonesos -- Family Cults -- Mystery Cults -- Burial Cults -- Conclusions -- References -- Abbreviations.

Weitere Ausg.: Print version: Shevchenko, Tetiana Greek Religion in Tauric Chersonesos Oxford : Archaeopress,c2023

Sprache: Englisch

UID:

Umfang: 1 online resource (360 pages)

Ausgabe: Expanded edition.

ISBN: 0-295-80093-3

Serie: Publications on the Near East.

Anmerkung: Description based upon print version of record. , ""Contents""; ""Preface to the 2006 Expanded Edition""; ""Acknowledgments ""; ""Poet's Preface""; ""A Note on the Pronunciation and Transcription of Turkish""; ""Ottoman Lyrics: Introductory Essay""; ""The Gathering of Desire""; ""Nesîmî""; ""1. Oh my idol""; ""Ahmed-i Da'î""; ""2. The torture of the beloved""; ""Sheyhî""; ""3. Your sun-face""; ""4. It's the season of spring""; ""Ahmet Pasha""; ""5. Ask about my wailing""; ""The Mijlis: Gatherings of Desire""; ""6. Is there any heart""; ""Nejâtî""; ""7. Those glances rain down arrows""; ""8. The heart is pleased"" , ""9. Those tulip-cheeked ones""""10. Spiraling, the sparks""; ""Iskander/Alexander, Hizir, and the Fountain of Eternal Life""; ""Mihrî Hatun""; ""11. I opened my eyes ""; ""12. At times, my longing ""; ""13. My heart burns ""; ""Zeyneb Hatun ""; ""14. Remove your veil""; ""Revânî""; ""15. What do you say""; ""Lâmi'î""; ""16. Yesterday I saw""; ""Zâtî""; ""17. Oh heavens, why do you cry""; ""The Pleasantries of Zâtî""; ""Hâyretî""; ""18. We are not slaves of Suleyman""; ""Figânî""; ""19. My sad heart is burnt black""; ""The Cosmos and the Earth""; ""20. Your kiss does not satisfy""; ""Fevrî"" , ""21. The arrow of your glance""""Hayâliî""; ""22. They do know how to search""; ""23. We are among those""; ""24. When dawn hennas her hands""; ""The Story of Leylâ and Mejnûn""; ""Fuzûlî""; ""25. Oh God, don't let anyone""; ""26. If my heart were a wild bird""; ""27. For long years""; ""28. The pointed reporach of the enemy""; ""Hüsrev, Shîrîn, and Ferhâd""; ""Nisâyî""; ""29. We are the Mejnun""; ""Fabulous Birds""; ""Nev'î""; ""30. We don't need the cup of pleasure""; ""31. Help me, oh sapling""; ""Bâkî""; ""32. That tyrant""; ""33. Oh beloved, since the origin"" , ""34. The fountain of my spirit""""35. If only the bud would open""; ""36. Sparks from my heart""; ""37. Your rebellious glance""; ""Yahyâ Bey""; ""38. Come wander through the city""; ""39. Poetry holds the written veil""; ""Rûhî""; ""40. Curse the thorns of fate""; ""Sheyhülislâm Yahyâ""; ""41. Saki, offer the cup""; ""42. Let the hypocrites""; ""43. Is there no heart""; ""The Down on Your Cheek""; ""Nef'î""; ""44. That black drunken eye""; ""45. Those who painted my portrait""; ""46. The heart is both the cup and the wine""; ""Sheyhülislâm Bahâyi""; ""47. Oh cry, what are you doing"" , ""Nâbî""""48. When we watch the spinning of the sky""; ""49. In the garden of time and destiny""; ""50. At the gathering of joy""; ""Rûmî's Mirror""; ""Nâ'ilî""; ""51. We are the snake""; ""52. My tears became desire""; ""53. Since the thunderbolt of disaster""; ""54. What witch are you""; ""Poetic Parallels""; ""Neshâtî""; ""55. We are desire""; ""56. You're gone-I'm alone""; ""57. The sky's face has turned dark""; ""Nedîm""; ""58. At the gathering of desire""; ""59. When the east wind""; ""60. As the morning wind blows""; ""61. Take yourself to the rose-garden"" , ""62. Delicacy was drawn out"" , English

Weitere Ausg.: ISBN 0-295-98595-X

Sprache: Englisch

UID:

Umfang: xxiv, 404 p.

Ausgabe: 1st ed.

ISBN: 1-283-48621-0 , 9786613486219 , 0-299-28543-X

Serie: Publications of the Wisconsin Center for Pushkin Studies

Anmerkung: Bibliographic Level Mode of Issuance: Monograph , Intro -- Contents -- Preface -- Acknowledgments -- Reader's Guide -- 1826 -- < -- К Бараты́нскому> -- - To Baratynskii -- < -- Из письма́ к Великопо́льскому> -- - From a letter to Velikopol'skii -- K Е. Н. Вульф - To E. N. Vul'f -- < -- Из Арио́стова „Orlando Furioso"> -- - From Ariosto's Orlando Furioso -- „Криста́л, поэ́том обновле́нный" - "A crystal < -- glass> -- , initiated by the poet" -- „Под небом голубы́м страны́ свое́й родно́й" - "Under the blue sky of hernative land" -- К Вяземскому - To Viazemskii -- К Язы́кову - To Iazykov -- Песни о Стеньке Разине - Songs about Sten'ka Razin -- 1. „Как по Во́лге реке́, по широ́кой" - "Along the broad Volga" -- 2. „Ходи́л Стенька Разин" - "Sten'ka Razin Went" -- 3. „Что не конский топ, не людска́я молвь" - "It's not a horse'sclatter, not people's talk" -- „Будь подо́бен полной чаше" - "Be like a full cup" -- Проро́к - The Prophet -- K. A. Tима́шевой - To K. A. Timasheva -- < -- Няне> -- - To My Nanny -- < -- Из письма́ к Соболе́вскому> -- - From a letter to Sobolevskii -- „Как счастлив я, когда́ могу́ поки́нуть" - "How happy I am when I can abandon" -- < -- Из письма́ к Алексе́еву> -- - From a letter to Alekseev -- < -- И. И. Пущину> -- - To I. I. Pushchin -- Стансы - Stanzas -- Отве́т Ф. Т*** - An Answer to F. T*** -- Зимняя доро́га - Winter Journey -- „В евр< -- е́йской> -- хижине лампа́дa" - "In a Jewish hut a lamp" -- К *** - To *** -- < -- Мордви́нову> -- - To Mordvinov -- 1827 -- „Во глубине́ сиби́рских руд" - "In the depths of Siberian mines" -- Солове́й и роза - The Nightingale and the Rose -- Эпигра́мма (Из Антоло́гии) („Лук звени́т, стрела́ трепе́щет") - Epigram(From the Anthology) ("The Bowstring sounds, the arrow quivers") -- „Есть роза дивная -- она́" - "There is a wonderful rose -- it" -- < -- Ек. Н. Ушако́вой> -- - To Ek. N. Ushakova. , Княги́не З. А. Волко́нской - To Princess Z. A. Volkonskaia -- < -- Кн. П. П. Вяземскому> -- - To Prince P. P. Viazemskii -- < -- Ек. Н. Ушако́вой> -- - To Ek. N. Ushakova -- „В степи́ мирско́й, печа́льной и безбре́жной" - "In the world's steppe, sad and endless" -- Арио́н - Arion -- Ангел - The Angel -- „Кака́я ночь! Моро́з треску́чий" - "What a night! The hard frost" -- „Весна́, весна́, пора́ любви́" - "Spring, spring, the time of love" -- < -- Кипре́нскому> -- - To Kiprenskii -- Ака́фист Екатери́не Никола́евне Карамзино́й - An Acathistus to EkaterinaNikolaevna Karamzina -- Поэ́т - The Poet -- „Близ мест, где царствует Вене́ция злата́я" - "Near the places, where golden Venice reigns" -- Из Alfieri - From Alfieri -- Посла́ние Дельвигу - An Epistle to Del'vig -- „Всем красны́ боя́рские коню́шни" - "Everything about the boyars' stablesis good" -- „Блаже́н в злато́м кругу́ вельмо́ж" - "Blessed in the golden circleof grandees" -- „В роще кари́йской, любе́зной ловца́м, таи́тся пеще́ра" - "In the Cariangrove, beloved to hunters, a cave is hidden" -- „Сводня грустно за столо́м" - "At the table the madame sadly" -- 19 октября́ 1827 - 19 October 1827 -- Рефута́ция г- на Беранже́рa - Refutation of Monsieur Béranger -- Талисма́н - The Talisman -- < -- Бараты́нскому> -- - To Baratynskii -- „Я знаю край: там на брега́" - "I know a land: there onto the shores" -- 1828 -- Друзья́м - To My Friends -- Посла́ние к Великопо́льскому, сочини́телю „Сати́ры на игроко́в" - Epistleto Velikopol'skii, the Author of "A Satire on Gamblers" -- „Сто лет мину́ло, как тевто́н" - "One hundred years passed, since the German" -- Эпита́фия младе́нцу - Epitaph for an Infant -- „Кто знает край, где небо блещет" - "Who knows the land, where the sky shines" -- В. С. Филимо́нову - To V. S. Filimonov -- „Увы́! Язы́к любви́ болтли́вой" - "Alas! The garrulous language of love". , To Dawe, Esqr. -- Воспомина́ние - Recollection -- Ты и вы - You < -- informal> -- and you < -- formal> -- -- „Дар напра́сный, дар случа́йный" - "Vain gift, chance gift" -- И. В. Слёнину - To I. V. Slenin -- „Ещё дуют холо́дные ветры" - "The cold winds are still blowing" -- „Кобыли́ца молода́я" - "Young mare" -- Её глаза́ - Her Eyes -- „Не пой, краса́вица, при мне" - "Don't sing, beauty, in my presence" -- К Язы́кову - To Iazykov -- < -- Н. Д. Киселёву> -- - To N. D. Kiselev -- Портре́т - A Portrait -- Напе́рсник - The Confidant -- Кирджали - Kirdzhali -- „А в нена́стные дни" - "And on gloomy days" -- Предчу́вствие - A Foreboding -- Уто́пленник - The Drowned Man -- „Рифма, звучная подру́га" - "Rhyme, sonorous friend" -- < -- Б. М. Фёдорову> -- - To B. M. Fedorov -- „Ворон к ворону лети́т" - "A raven flies to a raven" -- „Город пышный, город бедный" - "Splendid city, poor city" -- < -- Из альбо́ма А. П. Керн> -- - From the Album of A. P. Kern -- 1. „Если в жизни поднебе́сной" - "If in earthly life" -- 2. „Amour, exil" - "Love, exile" -- 3. „Не смею вам стихи́ Барко́ва" - "I do not dare < -- to translate> -- for you Barkov's verses" -- 4. „Когда́, стройна́ и светлоо́ка" - "When, slender and fair- eyed" -- 5. „Вези́, вези́, не жале́й" / „Мне изю́м" - "Give < -- me> -- a ride, Give< -- me> -- a ride, you won't regret it" / "A raisin for me" -- < -- 19 октября́ 1828> -- - 19 October 1828 -- „Уроди́лся я, бедный недоно́сок" - "I was born a wretched, premature baby" -- „В прохла́де сладостной фонта́нов" - "In the sweet coolness of the fountains" -- Клеопа́тра - Cleopatra -- Анча́р - The Upas-Tree -- Отве́т Кате́нину - An Answer to Katenin -- Отве́т А. И. Гото́вцевой - An Answer to A. I. Gotovtseva -- Цвето́к - The Flower -- „Брада́тый староста Авде́й" - "The bearded village elder Avdei". , „За Netty сердцем я лета́ю" - "With my heart I fly after Netty" -- „Как быстро в поле, вкруг откры́том" - "How quickly in the field, open on all sides" -- Поэ́т и толпа́ - The Poet and the Crowd -- „Како́в я прежде был, тако́в и ныне я" - "As I was before, so am I now" -- „Лищи́н< -- ский> -- околе́л - оте́честву беда́" - "Lishchinskii has croaked - a calamity for the fatherland" -- „Поко́йник, автор сухоща́вый" - "The deceased, a lean author" -- 1829 -- E. H. Ушако́вой - To E. N. Ushakova -- < -- E. П. Полтора́цкой> -- - To E. P. Poltoratskaia -- „Подъезжа́я под Ижо́pы" - "Driving up towards Izhory" -- Приме́ты - Portents -- Литерату́рное изве́стие - Literary News -- Эпигра́мма („Журна́лами оби́женный жесто́ко") - Epigram ("Cruelly insulted by journals") -- < -- На Великопо́льского> -- („Поэ́т- игро́к о Беверлей- Гора́ций") - On Velikopol'skii ("Poet-gambler o Beverly-Horace") -- Эпигра́мма („Там, где древний Кочерго́вский") - Epigram ("There, wherethe ancient Kochergovskii") -- „Кто на снега́х возрасти́л Феокри́товы нежные розы?" - "Who cultivated Theocritus's tender roses on the snows?" -- „На холмах Грузии лежи́т ночна́я мгла" - "The night's haze lies on thehills of Georgia" -- Калмы́чке - To a Kalmyk Woman -- < -- Фази́ль- хану> -- - To Fazil- Khan -- „Жил на свете рыцарь бедный" - "There lived a poor knight" -- Из Гафи́за - From Hafiz -- „Крито́н, роско́шный граждани́н" - "Crito, citizen of luxury" -- < -- На карти́нки к „Евге́нию Оне́гину" в „Невском альмана́хе"> -- - On the Illustrations for "Eugene Onegin" in the "Nevsky Almanac" -- 1. „Вот переше́д чрез мост Коку́шкин" - "Here, having crossedKokushkin Bridge" -- 2. „Пупо́к черне́ет сквозь руба́шку" - < -- Her> -- navel shows darkly through her chemise -- Оле́гов щит - Oleg's Shield -- „Как сати́рой безымя́нной" - "When with an anonymous satire". , „Опя́ть уве́нчаны мы славой" - "Again we are crowned with glory" -- „Восста́нь, о Греция восста́нь" - "Rise up, O Greece, rise up" -- „Зорю бьют … из рук мои́х" - "Reveille sounds … from my hands" -- „Счастлив ты в преле́стных дурах" - "You are fortunate in charming fools" -- < -- На Надеждина> -- („Наде́ясь на моё презре́нье") - On Nadezhdin ("Hoping for my Disdain") -- „Был и я среди́ донцо́в" - "I too was among the Don Cossacks" -- Сапо́жник (Притча) - The Cobbler (A Parable) -- < -- На Наде́ждина> -- („В журна́л совсе́м не европе́йский") - On Nadezhdin ("To a journal not at all European") -- Дон - The Don -- Доро́жные жалобы - Traveling Complaints -- Ме́док. (Ме́док в Уа́ллах). - Madoc. (Madoc in Wales). -- „Стрекоту́нья белобо́ка" - "White- sided chirrer" -- „Зима́. Что делать нам в дере́вне? Я встреча́ю" - "Winter. What is there for us to do in the village? I meet" -- Зимнее утро - Winter Morning -- „Заче́м, Еле́на, так пугли́во" - "Why, Elena, so timorously" -- Эпигра́мма („Седо́й Свисто́в!") - Epigram ("Grey- haired Svistov!") -- Эпигра́мма („Мальчи́шка Фебу гимн поднёс") - Epigram ("A young lad brought a hymn to Apollo") -- „Я вас люби́л, любо́вь ещё, быть может" - "I loved you, love still perhaps" -- Воспомина́ния в Царском Селе́ - Recollections in Tsarskoe Selo -- „Пое́дем, я гото́в -- куда́ бы вы, друзья́" - "Let's go, I am ready -- wherever you, friends -- „Ещё одно́й, высо́кой важной песни" - "Yet one more high and solemn song" -- „Брожу́ ли я вдоль улиц шумных" - "Whether I wander along noisy streets" -- Кавка́з - The Caucasus -- Обва́л - The Avalanche -- Делиба́ш - The Delibash -- Монасты́рь на Казбе́ке - The Monastery on Kazbek Mountain -- „Меж горных < -- стен?> -- несётся Терек" - "The Terek rushes among the mountain walls" -- „И вот уще́лье мрачных скал" - "And here the ravine of dark crags". , „Страшно и скучно" - "Terrifying and boring". , English

Weitere Ausg.: ISBN 0-299-28544-8

Sprache: Englisch