UID:
almafu_9958351982502883
Format:
1 online resource
ISBN:
9780231515665
Series Statement:
Columbia Themes in Philosophy, Social Criticism, and the Arts
Content:
Following Heidegger's interpretation of the history of philosophy, Gianni Vattimo outlines the existential ontological conditions of aesthetics, paying particular attention to the works of Kandinsky, which reaffirm the ontological implications of art. Vattimo then builds on Hans-Georg Gadamer's theory of aesthetics and provides an alternative to a rationalistic-positivistic criticism of art. This is the heart of Vattimo's argument, and with it he demonstrates how hermeneutical philosophy reaffirms art's ontological status and makes clear the importance of hermeneutics for aesthetic studies. In a final section, Vattimo articulates the consequences of reclaiming the ontological status of aesthetics without its metaphysical implications, holding Aristotle's concept of beauty responsible for the dissolution of metaphysics itself.
Note:
Frontmatter --
,
Contents --
,
Acknowledgments --
,
Introduction: The Hermeneutic Consequence of Art’s Ontological Bearing Santiago Zabala --
,
Part 1. aesthetics --
,
1. Beauty and Being in Ancient Aesthetics --
,
2. Toward an Ontological Aesthetics --
,
3. The Ontological Vocation of Twentieth- Century Poetics --
,
4. Art, Feeling, and Originality in Heidegger’s Aesthetics --
,
Part II. Hermeneutics --
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5. Pareyson: From Aesthetics to Ontology --
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6. From Phenomenological Aesthetics to Ontology of Art --
,
7. Critical Methods and Hermeneutic Philosophy --
,
Part III. Truth --
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8. Aesthetics and Hermeneutics --
,
9. Aesthetics and Hermeneutics in Hans- Georg Gadamer --
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10. The Work of Art as the Setting to Work of Truth --
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11. The Truth That Hurt --
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Notes --
,
Index
Language:
English
URL:
https://doi.org/10.7312/vatt13850
URL:
https://doi.org/10.7312/vatt13850
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