Kooperativer Bibliotheksverbund

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Format: 1 online resource(440 p.) : , illustrations.

Edition: Electronic reproduction. New York, NY : Columbia University Press, 2015. Mode of access: World Wide Web.

Edition: System requirements: Web browser.

Edition: Access may be restricted to users at subscribing institutions.

ISBN: 9780231538619

Content: Eric Walrond (1898-1966) was a writer, journalist, caustic critic, and fixture of 1920s Harlem. His short story collection, Tropic Death, was one of the first efforts by a black author to depict Caribbean lives and voices in American fiction. Restoring Walrond to his proper place as a luminary of the Harlem Renaissance, this biography situates Tropic Death within the author's broader corpus and positions the work as a catalyst and driving force behind the New Negro literary movement in America.James Davis follows Walrond from the West Indies to Panama, New York, France, and finally England. He recounts his relationships with New Negro authors such as Countée Cullen, Charles S. Johnson, Zora Neale Hurston, Alain Locke, and Gwendolyn Bennett, as well as the white novelist Carl Van Vechten. He also recovers Walrond's involvement with Marcus Garvey's journal Negro World and the National Urban League journal Opportunity and examines the writer's work for mainstream venues, including Vanity Fair. In 1929, Walrond severed ties with Harlem, but he did not disappear. He contributed to the burgeoning anticolonial movement and print culture centered in England and fueled by C. L. R. James, George Padmore, and other Caribbean expatriates. His history of Panama, shelved by his publisher during the Great Depression, was the first to be written by a West Indian author. Unearthing documents in England, Panama, and the United States, and incorporating interviews, criticism of Walrond's fiction and journalism, and a sophisticated account of transnational black cultural formations, Davis builds an eloquent and absorbing narrative of an overlooked figure and his creation of modern American and world literature.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Abbreviations -- , Chronology -- , Introduction. A Harlem Story, a Diaspora Story -- , 1. Guyana Anda Rbados 18(98–1911) -- , 2. Panama 19( 11–1918) -- , 3. New Oyrk 19( 18–1923) -- , 4. The Nwe Ngero (1923–1926) -- , 5. Tropic Death -- , 6. A Person of Tindicstion (1926–1929) -- , 7. The Caribbean and France (1928–1931) -- , 8. London I (1931–1939) -- , 9. Bradford-On-Avon (1939–1952) -- , 10. Roundway Hospital and the Second Battle (1952–1957) -- , 11. London II (1957–1966) -- , Postscript -- , Notes -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.7312/davi15784

URL: https://doi.org/10.7312/davi15784

URL: https://doi.org/10.7312/davi15784

UID:

Format: 1 online resource (439 p.)

ISBN: 0-231-53861-8

Content: Eric Walrond (1898-1966) was a writer, journalist, caustic critic, and fixture of 1920s Harlem. His short story collection, Tropic Death, was one of the first efforts by a black author to depict Caribbean lives and voices in American fiction. Restoring Walrond to his proper place as a luminary of the Harlem Renaissance, this biography situates Tropic Death within the author's broader corpus and positions the work as a catalyst and driving force behind the New Negro literary movement in America.James Davis follows Walrond from the West Indies to Panama, New York, France, and finally England. He recounts his relationships with New Negro authors such as Countée Cullen, Charles S. Johnson, Zora Neale Hurston, Alain Locke, and Gwendolyn Bennett, as well as the white novelist Carl Van Vechten. He also recovers Walrond's involvement with Marcus Garvey's journal Negro World and the National Urban League journal Opportunity and examines the writer's work for mainstream venues, including Vanity Fair. In 1929, Walrond severed ties with Harlem, but he did not disappear. He contributed to the burgeoning anticolonial movement and print culture centered in England and fueled by C. L. R. James, George Padmore, and other Caribbean expatriates. His history of Panama, shelved by his publisher during the Great Depression, was the first to be written by a West Indian author. Unearthing documents in England, Panama, and the United States, and incorporating interviews, criticism of Walrond's fiction and journalism, and a sophisticated account of transnational black cultural formations, Davis builds an eloquent and absorbing narrative of an overlooked figure and his creation of modern American and world literature.

Note: Bibliographic Level Mode of Issuance: Monograph , Frontmatter -- , Contents -- , Acknowledgments -- , Abbreviations -- , Chronology -- , Introduction. A Harlem Story, a Diaspora Story -- , 1. Guyana Anda Rbados 18(98-1911) -- , 2. Panama 19( 11-1918) -- , 3. New Oyrk 19( 18-1923) -- , 4. The Nwe Ngero (1923-1926) -- , 5. Tropic Death -- , 6. A Person of Tindicstion (1926-1929) -- , 7. The Caribbean and France (1928-1931) -- , 8. London I (1931-1939) -- , 9. Bradford-On-Avon (1939-1952) -- , 10. Roundway Hospital and the Second Battle (1952-1957) -- , 11. London II (1957-1966) -- , Postscript -- , Notes -- , Bibliography -- , Index , Issued also in print. , English

Additional Edition: ISBN 1-322-59067-2

Additional Edition: ISBN 0-231-15784-3

Language: English

DOI: 10.7312/davi15784