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  • 1
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard Univ. Press
    UID:
    gbv_495691119
    Format: VI, 214 S
    ISBN: 9780674010697 , 0674010698
    Note: Includes bibliographical references (p. 203-210) and index
    Additional Edition: Erscheint auch als Online-Ausgabe Teskey, Gordon, 1953 - Delirious Milton Cambridge, Mass : Harvard University Press, 2006 ISBN 9780674044302
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: Milton, John 1608-1674 ; Schöpfung ; Kreativität
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge, Mass. [u.a.] :Harvard University Press,
    UID:
    edocfu_9958351930602883
    Edition: Electronic reproduction. Cambridge, Mass. [u.a.] : Harvard University Press, 2006. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9780674044302
    Content: The argument of Delirious Milton is that Milton's creative power is drawn from a rift at the center of his consciousness over the question of creation itself. This rift forces the poet to oscillate deliriously between two incompatible perspectives, at once affirming and denying the presence of spirit in what he creates. From one perspective, the act of creation is centered in God and the purpose of art is to imitate and praise the Creator. From the other perspective, the act of creation is centered in the human, in the built environment of the modern world.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Introduction -- , 1. Artificial Paradises -- , 2. Milton’s Halo -- , 3. Milton and Modernity -- , 4. Why, This Is Chaos, Nor Am I Out of It -- , 5. God’s Body: Concept and Metaphor -- , 6. A Bleeding Rib: Milton and Classical Culture -- , 7. Milton’s Choice of Subject -- , 8. Revolution in Paradise Regained -- , 9. Samson and the Heap of the Dead -- , Notes -- , Index. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge, Mass. [u.a.] :Harvard University Press,
    UID:
    almafu_9958351930602883
    Edition: Electronic reproduction. Cambridge, Mass. [u.a.] : Harvard University Press, 2006. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9780674044302
    Content: The argument of Delirious Milton is that Milton's creative power is drawn from a rift at the center of his consciousness over the question of creation itself. This rift forces the poet to oscillate deliriously between two incompatible perspectives, at once affirming and denying the presence of spirit in what he creates. From one perspective, the act of creation is centered in God and the purpose of art is to imitate and praise the Creator. From the other perspective, the act of creation is centered in the human, in the built environment of the modern world.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Introduction -- , 1. Artificial Paradises -- , 2. Milton’s Halo -- , 3. Milton and Modernity -- , 4. Why, This Is Chaos, Nor Am I Out of It -- , 5. God’s Body: Concept and Metaphor -- , 6. A Bleeding Rib: Milton and Classical Culture -- , 7. Milton’s Choice of Subject -- , 8. Revolution in Paradise Regained -- , 9. Samson and the Heap of the Dead -- , Notes -- , Index. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cambridge, MA :Harvard University Press,
    UID:
    almafu_9959243735002883
    Format: 1 online resource (224 p.)
    Edition: 1st ed.
    ISBN: 0-674-04430-4
    Content: The argument of Delirious Milton is that Milton's creative power is drawn from a rift at the center of his consciousness over the question of creation itself. This rift forces the poet to oscillate deliriously between two incompatible perspectives, at once affirming and denying the presence of spirit in what he creates. From one perspective, the act of creation is centered in God and the purpose of art is to imitate and praise the Creator. From the other perspective, the act of creation is centered in the human, in the built environment of the modern world.
    Note: Originally published: 2006. , Frontmatter -- , Acknowledgments -- , Contents -- , Introduction -- , 1. Artificial Paradises -- , 2. Milton's Halo -- , 3. Milton and Modernity -- , 4. Why, This Is Chaos, Nor Am I Out of It -- , 5. God's Body: Concept and Metaphor -- , 6. A Bleeding Rib: Milton and Classical Culture -- , 7. Milton's Choice of Subject -- , 8. Revolution in Paradise Regained -- , 9. Samson and the Heap of the Dead -- , Notes -- , Index , English
    Additional Edition: ISBN 0-674-01069-8
    Additional Edition: ISBN 0-674-03509-7
    Language: English
    Subjects: English Studies
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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