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  • 1
    Book
    Book
    Leipzig : Tauchnitz
    UID:
    gbv_415558107
    Format: 318 S , 8"
    Series Statement: (Tauchnitz Edition 5053)
    Language: Undetermined
    Author information: Bennett, Arnold 1867-1931
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  • 2
    Book
    Book
    London :Cassell,
    UID:
    almafu_BV026207826
    Format: XIII, 313 S.
    Language: English
    Subjects: German Studies
    RVK:
    Author information: Traven, B. 1882-1969
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  • 3
    Book
    Book
    Leipzig :Tauchnitz,
    UID:
    almahu_BV013951815
    Format: 318 S.
    Edition: Copyright ed.
    Series Statement: Collection of British authors 5053
    Language: English
    Subjects: English Studies
    RVK:
    Author information: Bennett, Arnold, 1867-1931.
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  • 4
    Book
    Book
    Leipzig : Tauchnitz
    UID:
    kobvindex_ZLB14202404
    Format: 318 Seiten
    Series Statement: Tauchnitz Edition
    Note: engl.
    Language: English
    Author information: Bennett, Arnold
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  • 5
    Book
    Book
    Berkeley, Calif. : Stone Bridge Press
    UID:
    gbv_555870928
    Format: 345 S
    ISBN: 9781933330624
    Content: From the Publisher: "Modern Chinese fiction-looks to have made a great leap towards the bookshelves of [Western] readers."-Guardian. Hugely popular in China, flash fiction is poised to be the most exciting new development in contemporary Chinese literature in a decade. Integrating both vernacular and contemporary styles while embracing new technologies such as text messaging (SMS) and blogging, contemporary Chinese flash fiction represents the voice of a civilization at the brink of a startling and unprecedented transformation. This collection features 120 short-short stories (from 100 to 300 words each), written by some of China's most dynamic and versatile authors. Dong Rui's The Pearl Jacket offers a glimpse of the real and surreal in human evolution, Chen Qiyou's Butterfly Forever brings an ancient Chinese literary motif into a startling modern context, while Liu Jianchao's Concerned Departments mocks the staggering complexity of life in the new urban China. Traditional, experimental, and avant-garde, The Pearl Jacket and Other Stories will reinvigorate the position of young Chinese writers as a major presence in contemporary literature. Their voices breathe new energy into modern Chinese literature, leaving the literary and societal stagnation of the Cultural Revolution behind as a distant memory
    Content: From the Publisher: "Modern Chinese fiction-looks to have made a great leap towards the bookshelves of [Western] readers."-Guardian. Hugely popular in China, flash fiction is poised to be the most exciting new development in contemporary Chinese literature in a decade. Integrating both vernacular and contemporary styles while embracing new technologies such as text messaging (SMS) and blogging, contemporary Chinese flash fiction represents the voice of a civilization at the brink of a startling and unprecedented transformation. This collection features 120 short-short stories (from 100 to 300 words each), written by some of China's most dynamic and versatile authors. Dong Rui's The Pearl Jacket offers a glimpse of the real and surreal in human evolution, Chen Qiyou's Butterfly Forever brings an ancient Chinese literary motif into a startling modern context, while Liu Jianchao's Concerned Departments mocks the staggering complexity of life in the new urban China. Traditional, experimental, and avant-garde, The Pearl Jacket and Other Stories will reinvigorate the position of young Chinese writers as a major presence in contemporary literature. Their voices breathe new energy into modern Chinese literature, leaving the literary and societal stagnation of the Cultural Revolution behind as a distant memory
    Note: RelationshipsDoor forever / Shao Baojian -- Moonlit window/ Deng Kaishang -- Nest of oat stalks / Cao Naiqian -- July 28, 1976 / Yuan Bingfa -- Girl in the red skirt / Yue Yong -- Odd day, even day / Ling Rongzhi -- You are my only one / Wei Jinshu -- Lovebird for you / Xing Qingjie -- Mosquito nets / Wu Shouchun -- Caterpillar on your shoulder! / Liu Weiping -- Big buddy / Wang Kuishan -- Return visit / Ai Ya -- Butterfly forever / Chen Qiyou -- Cold night / Yu Dafu -- Sweetheart / Ku Ling -- Feelings / Li Ang -- My bride / Wu Nianzhen -- Love story of A and B / Yindi -- Nightclub-tique / Zhong Zimei -- Family -- Blowfish / Wang Renshu -- Two letters / Tang Xunhua -- Black butterfly / Liu Guofang -- Facade / Shen Hong -- Letters / Wang Peijing -- Goldie / Ma Baoshang -- Straw ring / Jinguang -- Marriage certificate / Mo Xiaomi -- Money order / Bai Xuechu -- Soy sauce / Zhao Wenhui -- Secret / Liu Liying -- Happy family / Wu Di -- Portraits -- Daigou / Shen Congwen -- Singer that can sing / Wang Meng -- Story outside my window / Yide'erfu -- Big feet Zhuang / Hu Qiyong -- Monument / Sun Yuwen -- Abandoned baby / Ang Liang -- False teeth / He Liwei -- Bridge pillar / Yang Xiangsheng -- Higher education / Si Yusheng -- Yellow scarf / Xue Tao -- Auntie Fei / Xu Huifeng -- Time travel / Cai Nan -- Black and white / Li Qixiang -- My university / Hou Deyun -- Fat cat's woman / Lin Ruqiu -- Floral shorts / Lu Jianhua -- Eunuch / Zhang Jishu -- Female visitor / Zeng Ping -- Reckoning / Zheng Hongjie -- Outside world / Zhou Rencong -- Shanshan / Danru -- Applause / Haixin -- Mad about you / Sang Ni -- Society -- Bargain / Hu Yepin -- Lottery / Lao She -- Comedy of the power poles / Su Shuyang -- Street corner / Shen Shanzeng -- Spring night / Wu Jinliang -- Request for the purchase of a kettle / Xu Shijie -- Two patients / Jiang Zilong -- Bright yellow / Liu Xinwu -- Comedy of birds / Zhong Jieying -- Chief staff member / Sheng Xiaoqing -- Carpet / Hang Ying -- Bird / Lu Fuhong -- I had a dream / Chen Rong -- American apple / Li Jingwen -- Expectations / Liang Haichao -- Concerned departments / Liu Dianxue -- Oh, isn't this general manager Gao? / Liu Jianchao -- Cat and mouse play / Ling Dingnian -- Red envelope / Guo Xuerong -- Homeless / He Peng -- Creativity / He Kaiwen -- Roses / Yang Kui -- Pearl jacket / Dong Rui -- One drizzly afternoon / Tao Ran -- Truth And Art -- He / Guo Moruo -- Theme / Lu Xun -- Two unforgettable impressions / Xia Yan -- Ferry / Gao Xiaosheng -- Explosion in the living room / Bai Xiaoy -- White gem / Ru Rongxing -- To kill the sister-in-law / Jia Pingao -- Tiger, tiger / Liu Gong -- Autumn / Xia Xueqin -- Wrong number / Liu Yichang -- Existential Moments -- Light / Wang Luyan -- That ball of cloud / Pu Benlin -- Mullet and mackerel / Lin Jinlan -- Beautiful ears / Sha Miannong -- Hawk in the sky / Xiu Xiangming -- Serious speech to promote Mark Twain's humorous speeches / Sha Weixing -- Precious stone / Xu Guojiang -- Immortality / Huang Keting -- Two pines / Li Yongkang -- Same river twice? / Han Lei -- Hands / Ma Xinting -- Gift of a bright moon / Ling Qingquan -- Red light / Luo Yanru -- Time / Xiu Shi -- Strange And Extraordinary -- Little-hand Chen / Wang Cengqi -- Gold washer / Xing Ke -- Hunchback tan / Liu Renqian -- Perfect robbery / Feng Jicai -- One move game / Xu Xing -- Bee bandits / Wang Qian -- Deadly game / Yi Nong -- Qu Yuan's wisdom / Cao Dequan -- Bird cypress / Sun Fangyou -- Horse whisperer / Jiang Xinjie -- Style / Xiang Yuting -- Tragicomedy / Gao Kuan -- Merchant of wills / Teng Gang -- Dance of the pearls / Xie Zhiqiang -- Mr Purple gold / Yang Xiaofang -- Death of Li Damin / Chen Yonglin -- Parrot / Tao Li -- Notes.
    Language: English
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  • 6
    Book
    Book
    Berkeley, Calif. : Counterpoint
    UID:
    gbv_749719141
    Format: 252 S. , 22 cm
    ISBN: 1619021692 , 9781619021693
    Content: This brand new collection of 28 short stories spans the length of Frame's career and contains some of the best she wrote. None of these stories have been published in a collection before, and more than half are published for the first time in Between My Father and the King.The piece 'Gorse is Not People' caused Frame a setback in 1954, when Charles Brasch rejected it for publication in Landfall and, along with others for one reason or other, deliberately remained unpublished during her lifetime. Previously published pieces have appeared in Harper's Bazaar, the NZ
    Note: Contents; Preface; Between My Father and the King; The Plum Tree and the Hammock; Gavin Highly; The Birds of the Air; In Alco Hall; University Entrance; Dot; The Gravy Boat; I Got a Shoes; A Night at the Opera; Gorse is Not People; The Wind Brother; The Friday Night World; The Silkworms; An Electric Blanket; A Bone in the Throat; My Tailor is Not Rich; The Big Money; A Distance from Mrs Tiggy-winkle; Caring for the Flame; Letter from Mrs John Edward Harroway; Sew My Hood, Cut My Hair; The Atomiser; The Painter; The People of the Summer Valley; The Spider; A Night Visitor; I Do Not Love the Crickets; Notes
    Former: Früher u.d.T. Gorse is not people
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Electronic books
    Author information: Frame, Janet 1924-2004
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  • 7
    Book
    Book
    New York, NY : Vintage Books
    UID:
    gbv_734695462
    Format: XXIII, 278 S.
    Edition: 1. Vintage Books ed.
    ISBN: 9780307948724
    Note: Introduction by Blake BaileyThe sunnier side -- The band concert -- Palm Sunday -- Tenting tonight -- A night visitor -- The break -- The benighted savage -- How war came to Arcadia, N.Y. -- Sophistication -- Rachel's summer -- The boy who ran away -- Card-of-Thanks and note to the reader.
    Additional Edition: ISBN 9780307948748
    Language: English
    Subjects: American Studies
    RVK:
    Author information: Jackson, Charles 1903-1968
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  • 8
    Online Resource
    Online Resource
    Cham :Springer International Publishing :
    UID:
    almahu_9949482651602882
    Format: XVII, 308 p. 15 illus., 11 illus. in color. , online resource.
    Edition: 1st ed. 2023.
    ISBN: 9783031136542
    Series Statement: Palgrave Film Studies and Philosophy
    Content: "This book offers a welcome and original contribution to the field: a Wittgenstein-inspired humanistic approach to cinema that argues for a philosophy of film 'without theory'... an original contribution to contemporary discussions of film and philosophy." - Dr Robert Sinnerbrink, Macquarie University, Australia. This book challenges the long-standing presumption that serious philosophical engagement with film and television must be theoretical. It demonstrates, by example, how philosophy of film and film studies can move beyond the methodological assumption that understands philosophical to mean theoretical. In seventeen specially commissioned essays, one in-depth interview, and one reprint, leading philosophers and film scholars exploit the approaches, arguments, and insights of Ludwig Wittgenstein, Stanley Cavell, Iris Murdoch, Augustine, Berys Gaut, Noël Carroll, and Ordinary Language Philosophy, in exploring, amongst others, Gravity, Lone Star, The Handmaid's Tale, Le notti di Cabiria, Dunkirk, L'Année dernière à Marienbad, Visitors, The Night it Rained, Philadelphia Story, Shoah, Mary Magdalene, Psycho, Blue Jasmine, Three Colours: Red, War Games, and Histoire(s) du Cinéma. In so doing, this collection argues for the power of theory-free philosophy and film studies as a way to expand our humanistic understanding. Craig Fox is Professor of Philosophy at Pennsylvania Western University, USA. He teaches courses in logic, aesthetics, and the history of philosophy. Recently, he has been working on pieces of an overall project focused on aesthetics as a path into understanding the significance and relevance of Wittgenstein's later thought. Britt Harrison is an Independent Scholar with PhDs in philosophy from the University of York, UK, (2022) and the University of Hertfordshire, UK, (2012). She is also a film producer, screenwriter, and script consultant. .
    Note: 1. Introduction: Philosophy of Film, With and Without Theory Craig Fox and Britt Harrison -- Part One: Doing Without Theory Yet Still Doing Philosophy -- 2. The Procrustean Bed of Theory: In Conversation with Richard Allen and Malcolm Turvey Richard Allen, Malcolm Turvey, Craig Fox, and Britt Harrison -- 3. It All Depends: Some Problems with Analytic Film Theorising from the Perspective of Ordinary Language Philosophy Andrew Klevan -- 4. Lone Star: Ambiguity as a Philosophical Given, and a Philosophical Virtue Katheryn Doran -- 5. No Theory in Marienbad Constantine Sandis -- 6. Film and the Space-Time Continuum Part Two: The Appeal of - and to - Wittgenstein -- 7. Ordinary Returns in Le notti di Cabiria John Gibson -- 8. Wittgensteinian film-as-philosophy exemplified: Exploring the exploration of point-of-view in Cuaron's space-exploration film Gravity Rupert Read -- 9. On Films that Think by Seeing Frictionally: Toward a Wittgensteinian Philosophy of Film Carla Carmona -- Part Three: Revisiting - and Reconsidering - Cavell -- 10. Knowing or Not-Knowing in the Cinema? Rethinking Cavell's Image of Skepticism David Macarthur -- 11. Cavell, Experiences of Modernism, and Kamran Shirdel's The Night it Rained Craig Fox -- 12. The Same Again, Only a Little Different: Stanley Cavell's Two Takes on The Philadelphia Story William Rothman -- Part Four: Seeing Faces, Finding Others -- 13. Seeing One Another Anew with Godfrey Reggio's Visitor Eran Guter and Inbal Guter -- 14. A Punctum Scene in Shoah Rob van Gerwen -- 15. Mary Magdalene and Murdochian Film Phenomenology Lucy Bolton -- Part Five: Cinematic Investigations -- 16. Cinematic Invisibility: The Shower Scene in Hitchcock's Psycho James Conant -- 17. Entertaining Unhappiness Sebastian Sunday -- 18. In Kieślowski's Restaurant des Philosophes: determinism and free will under surveillance Colin Heber-Percy -- 19. Loving The Characters, Caring for The Work: Long Term Engagement with TV Serials Iris Vidmar Jovanović.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783031136535
    Additional Edition: Printed edition: ISBN 9783031136559
    Additional Edition: Printed edition: ISBN 9783031136566
    Language: English
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  • 9
    Online Resource
    Online Resource
    London : Palgrave Macmillan on behalf of the British Film Institute
    UID:
    gbv_1895291801
    Format: 1 Online-Ressource (xii, 178 pages) , illustrations
    Edition: Also issued in printing
    ISBN: 9781838711351
    Content: "Film is made of moments. In its earliest form, the cinema was a moment: mere seconds recorded and projected into the darkness. Even as film has developed into today's complex and intricate medium, it is the brief, temporary and transitory that combines to create the whole. Our memories of films are composed of the moments we deem to be crucial: touchstones for our understanding and appreciation. Moments matter. The 38 specially commissioned essays in Film Moments examine a wide selection of key scenes across a broad spectrum of national cinemas, historical periods and genres, featuring films by renowned auteurs including Alfred Hitchcock, Jean Renoir and Vincente Minnelli and important contemporary directors such as Pedro Costa, Zhang Ke Jia and Quentin Tarantino, addressing films including City Lights, Gone with the Wind, The Wizard of Oz, The Night of the Hunter, Wild Strawberries, 8 1?2, Bonnie and Clyde, Star Wars, Conte d'été, United 93 and Lord of the Rings: Return of the King. Film Moments provides both an enlightening introduction for students to the diversity of approaches and concerns in the study of film, and a dynamic and vibrant account of key film sequences for anyone interested in enhancing their understanding of cinema."--Bloomsbury publishing
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references and index , Shadow play and dripping teat : -- The Night of the Hunter (1955) / Tom Gunning -- Between melodrama and realism : -- Under the Skin of the City (2001) / Laura Mulvey -- Internalising the musical : -- The Band Wagon (1953) / Andrew Klevan -- The visitor's discarded clothes in Theorem (1968) / Stella Bruzzi -- Style and sincerity in Quentin Tarantino's Kill Bill Vol. 2 (2004) / James Walters -- The moves : -- Blood (1989) / Adrian Martin -- The properties of images : -- Lust for Life (1956) / Steve Neale -- Two views over water : -- action and absorption in Ingmar Bergman's Wild Strawberries (1957) / Edward Gallafent -- Making an entrance : -- Bette Davis's first appearance in Jezebel (1938) / Martin Shingler -- A narrative parenthesis in Life is Beautiful (1997) / Deborah Thomas -- The end of summer : -- Conte d'été (1996) / Jacob Leigh -- Enter Lisa : -- Rear Window (1954) / Douglas Pye -- Opening up The Secret Garden (1993) / Susan Smith -- A magnified meeting in Written on the Wind (1956) / Steven Peacock -- "Everything is connected, and everything matters" : -- relationships in I [heart] Huckabees (2004) / John Gibbs -- The Ending of 8 1 / 2 (1963) / Richard Dyer -- Haptic vision and consumerism : -- a moment from Fritz Lang's Siegfried (1924) / Thomas Elsaesser -- Visions of sound in City Lights (1931) / Charles Barr -- "Entertainment and dystopia" : -- Maurice Chevalier performs Avec le sourire (1936) / Tom Brown -- Music, crime and the gaze : -- La Bête humaine (1938) / Ginette Vincendeau -- Thunder and lightning : -- Gone with the Wind (1939) and the Logic of Synchronisation / Rick Altman -- Hearing, fearing : -- the sonic design of suspense in Cat People (1942) / Helen Hanson -- "I've seen him take his knife--" : -- The Searchers (1956) / R.J. Ellis -- Another story : -- myth and history in Bonnie and Clyde (1967) / Pam Cook -- A sculptural moment : -- the epilogue to Les Deux Anglaises et le Continent (1971) / Mark Broughton -- Star Wars (1977) : -- back and forth in time and space / Jonathan Bignell -- Between freedom and confinement : -- music in The World (2004) / Claudia Gorbman -- Performance, with strings attached : -- Team America's (2004) snub to the actor / Alex Clayton -- Éloge de l'Amour (2001) : -- moments in time / Alison Butler -- Contested endings : -- interpreting The Piano's (1993) final scenes / Barbara Klinger -- Mourning, loss and trauma, and the ambiguities of proper and improper desire in Exotica (1994) / Elizabeth Cowie -- Stepping out of Blockbuster mode : -- the lighting of the beacons in The Lord of the Rings : -- The Return of the King (2003) / Kristin Thompson -- Dorothy's dream : -- mindscreen in The Wizard of Oz (1939) / Bruce F. Kawin -- Looking on and looking the other way : -- Hotel Rwanda (2004) and the racialised ethics of spectatorship / Michele Aaron -- Working through the body : -- textual-corporeal strategies in United 93 (2006) / Lisa Purse -- "I wasn't expecting that!" : -- cognition and shock in Alien's (1979) chestburster scene / Jonathan Frome -- The inflection of a dream in Scarlet Street (1945) / George M. Wilson -- Judy's plan : -- a reading of the "Flashback" sequence in Vertigo (1958) / William Rothman. , Also issued in printing , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781844573356
    Additional Edition: ISBN 9781844573363
    Additional Edition: Erscheint auch als Original
    Additional Edition: Erscheint auch als Paperback version ISBN 9781844573356
    Additional Edition: Erscheint auch als Hardback version ISBN 9781844573363
    Language: English
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  • 10
    Online Resource
    Online Resource
    Seattle :University of Washington Press,
    UID:
    almafu_9960177976802883
    Format: 1 online resource (xiii, 281 pages) : , illustrations, maps ;
    ISBN: 0-295-74770-6
    Series Statement: Global South Asia
    Content: "Ends of Kinship explores dynamics of migration and social change between Nepal and New York City. It asks how individuals, families, and communities care for each other and carve out spaces of belonging from high mountain villages in the Himalayan region of Mustang, on the border with Tibet, to the boroughs of Brooklyn and Queens. Drawing on more than two decades of fieldwork with people in and from Mustang, this ethnography engages with foundational questions in cultural anthropology: What makes and sustains kinship? What does education prepare us for? How are traditions governing birth, death, marriage, and moral economies defended and transformed? How do different generations abide with and understand each other? The Tibetan Buddhist notion of khora encompasses cyclic existence as well as the daily act of circumambulating the sacred in order to make and remake oneself. Sienna Craig draws on this concept to think about cycles of mobility and patterns of world-making between Nepal and New York. Stylistically, Ends of Kinship contributes to experiments in ethnographic writing. Its core chapters are written as teachable and publicly accessible literary ethnography. Between the chapters sit short stories that present a sense of some of the most difficult aspects of migration while respecting the privacy of the author's informants. Line drawings by Tibetan thangka artist Tenzin Norbu illustrate the contrasting worlds in which Mustangis now encounter the central life experiences addressed in each chapter"--
    Note: Recognition and gratitude -- Map of Mustang, Nepal -- Map of Himalayan languages in New York City -- Introduction -- Part I. Attending to birth -- Blood and bone -- Finding the womb door -- Part II. Parents and children -- Letters for mother -- Going for education -- Part III. Subsistence and strategy -- Paper and being -- Bringing home the trade -- Part IV. Women and men -- Night visitors -- At the threshold of this life -- Part V. Land and lineage -- Gods and demons -- The ground beneath our feet -- Part VI. Loss and transformation -- Three seasons in the fire monkey year -- Between presence and absence.
    Additional Edition: ISBN 0-295-74768-4
    Language: English
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