UID:
almahu_9949703532902882
Format:
1 online resource (xvi, 460 pages) :
,
illustrations.
ISBN:
9789401204842
Series Statement:
Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 112
Content:
The thirty chapters of this innovative international study are all devoted to the topic of the play within the play . The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting - from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy - but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play : as ultimate affirmation of the 'self' (the 'Hamlet paradigm'), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.
Note:
Selection of papers delivered at the 2004 Sydney German Studies Symposium and revised and edited for publication.
,
Preliminary Material --
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The Birth of the Subject out of the Spirit of the Play within the Play: The Hamlet Paradigm /
,
Self-Reflexivity in the Play within the Play and its Cross-Genre Manifestation /
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'Backstage Discourse': Staging the Other in Ethnographic and Colonial Literature /
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The Play within the Play and the Closure of Representation /
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Playing and not Playing in Jean Genet's The Balcony and The Blacks /
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The Figure in the Carpet: Metadramatical Concepts in Jacob Bidermann's Cenodoxus (1602) /
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Holding a Mirror up to Theatre: Baro, Gougenot, Scudéry and Corneille as Self-Referentialists in Paris, 1628-35/36 /
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Rehearsing the Endgame: Max Frisch's Biography: A Play /
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Tom Stoppard's The Real Inspector Hound (1968) and The Real Thing (1982): New Frames and Old /
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The Invisible Fool: Botho Strauss's Postmodern Metadrama and the History of Theatrical Reality /
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Queen of a Bathtub: Hanoch Levin's Political, Aesthetic and Ethical Metatheatricality /
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The Disguised and Distanced Real(ity) Play within the Fictitious Play in Israeli Stage-Drama /
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A Lacerated Culture, A Self-Reflexive Theatre: The Case of Israeli Drama /
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'Very Tragical Mirth': The Play within the Play as a Strategy for Interweaving Tragedy and Comedy /
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Play and Reality in Austrian Drama: The Figure of the Magister Ludi /
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Playing Tragedy: Detaching Tragedy from Itself in Classical Drama from Lessing to Büchner /
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Playwrights Playing with History: The Play within the Play and German Historical Drama (Büchner, Brecht, Weiss, Müller) /
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Postmodernism Unmasked: Rainald Goetz's Festung and Albert Ostermaier's The Making of B-Movie /
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The Context Within: The Play within the Play between Theatre Anthropology, System Theory and Postcolonial Critique /
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Intercultural Framing in Aimé Césaire's Une Tempête /
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Re-Interpreting Shadow Material in an Ancient Greek Myth: Another Night: Medea /
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John Gay and the Frame Play /
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Opera within Opera: Contexts for a Metastasian Interlude /
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Theatrical Transformation, Media Superimposition and Scenic Reflection: Pictorial Qualities of Modern Theatre and the Hofmannsthal/Strauss Opera, Ariadne auf Naxos /
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Pushkin in Love, or: A (Screen)Play within the Play. The Cinematic Potential of Romantic-Ironic Narration in Eugene Onegin /
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The Text within the Text, the Screen within the Screen: Multi-Layered Representations in Michael Almereyda's Hamlet and Baz Luhrmann's Romeo + Juliet /
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'Gotta Dance' (in the Dark): Lars von Trier's Critique of the Musical Genre /
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The Game of the Narrative: Kleist's Fiction from a Game-Theoretical Perspective /
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French Beans and Mashed Potatoes: Agonistic Play and Symbolic Acting in Gottfried Keller's Prose Fiction /
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Playing with the Apparatus: Franz Kafka's 'In the Penal Colony' and Barrie Kosky's Interpretation for the Melbourne International Arts Festival /
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Notes on Contributors --
,
Index of Names.
Additional Edition:
Print version: Play within the play. Amsterdam ; New York : Rodopi, 2007 ISBN 9789042022577
Additional Edition:
ISBN 9042022574
Language:
English
Keywords:
Conference papers and proceedings.
;
Criticism, interpretation, etc.
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