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  • 1
    UID:
    b3kat_BV044284504
    ISSN: 0162-2870
    Uniform Title: Neue Medien kontra Filmkultur?
    Note: "This essay first appeared in Kraft Wetzel, ed. Neue Medien kontra Filmkultur?, Berlin, Volker Spiess, 1987, pp. 237-244"
    In: October / Ed.: Jeremy Gilbert-Rolfe [u.a.], Cambridge, Mass. [u.a.], Fall 1988, 46, Seite 96-102, 0162-2870
    Language: English
    Subjects: German Studies
    RVK:
    Author information: Kluge, Alexander 1932-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949386956102882
    Format: 1 online resource
    ISBN: 9780429275340 , 042927534X , 100045181X , 9781000451856 , 1000451852 , 9781000451818
    Series Statement: Routledge media and cultural studies companions
    Content: "Bringing together 49 chapters from leading experts in media industries research, this major collection offers an authoritative overview of the current state of scholarship while setting out proposals for expanding, re-thinking and innovating the field. Media industries occupy a central place in modern societies, producing, circulating and presenting the multitude of cultural forms and experiences we encounter in our daily lives. The chapters in this volume begin by outlining key conceptual and critical perspectives while also presenting original interventions to prompt new lines of inquiry. Other chapters then examine the impacts of digitalization on the media industries, intersections formed between industries or across geographic territories, and the practices of doing media industries research and teaching. General ideas and arguments are illustrated through specific examples and case studies drawn from a range of media sectors, including advertising, publishing, comics, news, music, film, television, branded entertainment, live cinema experiences, social media, and music video. Making a vital and significant contribution to media research, this volume is essential reading for students and academics seeking to understand and evaluate the work of the media industries"--
    Note: Assembling production studies : formative interventions in Britain and Europe / Graham Murdock -- Origins of research into media industries conducted in the US / Janet Wasko -- Meeting the challenges of media and marketing convergence : revising critical political economy approaches / Jonathan Hardy -- Why should we care about media policy? Critical directions in media policy research / Maria Michalis -- Economic perspectives on the characteristics and operation of media industries / Gillian Doyle -- The state of media management research / Ulrike Rohn -- Critical and cultural? Production studies as situated storytelling / Philip Drake -- Locating and localizing media industry studies : the case of Greece / Georgia Aitaki, Lydia Papadimitriou and Yannis Tzioumakis -- Industrial media studies : considering infrastructures for audience manufacture / Lee Mcguigan -- The infrastructural turn in media and internet research / David Hesmondhalgh -- Informality and indeterminacy in media industries research / Ramon Lobato -- An industry of its own? Approaching the American comic book industry / Gregory Steirer and Alisa Perren -- Approaching race in media industries research / Anamik Saha -- Methodological approaches to women's work in Hollywood / Courtney Brannon Donoghue -- Global configurations : re-spatializing labor in contemporary film and television production / Kevin Sanson -- Producing for small audiences : smallness and peripherality in the global media industries / Petr Szczepanik -- Currents of change : the unstoppable momentum of the Chinese media industrial complex / Michael Keane -- Bricks, mortar and media : understanding the media industries through their buildings / EliAbeth Evans -- Authorship and agency in the media industries / Eva Novrup Redvall -- The online television industry : fragmentation, consolidation and power / Catherine Johnson -- Children and the media industries : an overlooked but very special "television" audience / Anna Potter and Jeanette Steemers -- Game-changer or a new shape to familiar dynamics? Netflix and the American indie film sector / Geoff King -- User as asset, music as liability : The moral economy of the "value gap" in a platform musical economy / Andrew Leyshon and Allan Watson -- The digital news industry : the intertwining digital commodities of audiences and news / Henrik Bødker -- The dynamics of the book publishing industry / Angus Phillips -- Social media industries and the rise of the platform / Pieter Verdegem -- When East Asian media industries are faced with digitalization : transformation and survival strategies / Anthony Fung and Georgia Chik -- Creating that "local connect" : The dubbing of Hollywood into Hindi / Tejaswini Ganti -- The Hollywood-Chinawood relationship : continuities and changes / Wendy Su -- TV formats : Transnationalizing television production and distribution / Andrea Esser -- From idents to influencers : the promotional screen industries / Paul Grainge -- Branded entertainment : a critical review / Katharina Stolley, Finola Kerrigan and Cagri Yalkin -- Gatekeepers of culture in the music video supply chain / Emily Caston -- The immersive cinema experience economy : the UK film industry's third sector / Sarah Atkinson and Helen Kennedy -- Transmediality as an industrial form / Matthew Freeman -- Sports rights : global content, national markets and regulatory issues / Paul Smith -- Writing film industry history / Andrew Spicer -- Writing the airwaves : recent trends in histories of US broadcasting / Jennifer Porst and Deborah L. Jaramillo -- Policy studies and the case for plurality / Jennifer Holt and Steven Secular -- Media economics and management as optimization research : towards a shared methodology / M. Bjørn Von Rimscha -- Backstage observations : studying media producers / Anna Zoellner -- Breaking into Hollywood : strategies for interviewing media producers / David Craig -- Harnessing the life history method to study the media industries / Roei Davidson and Oren Meyers -- Interfacing with industry / Stuart Cunningham -- Media industries and audiences : an analytic dialogue / Annette Hill -- Ethics in media industries research / Patrick Vonderau -- Appreciating the costs and benefits of media market research in the digital era / Justin Wyatt -- Numbers and qualitative media industries research / Jade Miller -- Teaching media industries through experiential learning : pathways to engagement and understanding / Erin Copple Smith.
    Additional Edition: Print version: Routledge companion to media industries Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9780367225261
    Language: English
    Keywords: Electronic books.
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  • 3
    Online Resource
    Online Resource
    Scribner
    UID:
    kobvindex_ZLB34326316
    ISBN: 9781982110598
    Content: " From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It publishing just as the second part of It , the movie, lands in theaters. In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis's parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents telekinesis and telepathy who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, like the roach motel, Kalisha says. You check in, but you don't check out. In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don't, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute. As psychically terrifying as Firestarter, and with the spectacular kid power of It , The Institute is Stephen King's gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don't always win."
    Content: Biographisches: "Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes The Institute , Elevation, The Outsider , Sleeping Beauties (cowritten with his son Owen King) and the Bill Hodges trilogy, End of Watch , Finders Keepers , and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&, Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower and It are the basis for major motion pictures, with It now the highest grossing horror film of all time. He is the recipient of the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King." Rezension(2): "〈a href=http://lj.libraryjournal.com/ target=blank〉〈img src=https://images.contentreserve.com/libraryjournal_logo.png alt=Library Journal border=0 /〉〈/a〉: April 1, 2019 Silently whisked away after his parents are murdered, Luke Ellis wakes up in a creepy place called the Institute, surrounded by kids like him with special gifts of telekinesis and telepathy that the sadistic staff want to exploit for the Institute's own purposes. Cooperate, and you get treats,resist, and you are exiled to the Back Half and never emerge. Luke just wants to get out, but how? With a 1.25 million-copy first printing, and, yes, you read that correctly. Copyright 2019 Library Journal, LLC Used with permission. " Rezension(3): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: Starred review from July 8, 2019 King wows with the most gut-wrenching tale of kids triumphing over evil since It . In a quiet Minnesota neighborhood, intruders kidnap 12-year-old prodigy Luke Ellis and murder his parents. When Luke wakes up, he finds himself in a room identical to his own bedroom, except that he is now a resident of the Institute—a facility that tests telekinetic and telepathic abilities of children. Luke finds comfort in the company of the children in the Front Half: Kalisha, Nick, George, and Avery. Others have graduated to the Back Half, where “kids check in, but they don’t check out.” The Front Half are promised that they’ll be returned to their parents after testing and a visit to Back Half, but Luke becomes suspicious and desperate to get out and get help for the others. However, no child has ever escaped the Institute. Tapping into the minds of the young characters, King creates a sense of menace and intimacy that will have readers spellbound. The mystery of the Institute’s purpose is drawn out naturally until it becomes far scarier than the physical abuse visited upon the children. Not a word is wasted in this meticulously crafted novel, which once again proves why King is the king of horror. Agent: Chuck Verrill, Darhansoff &,Verrill. " Rezension(4): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: August 15, 2019 The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie. Tim Jamieson is a man emphatically not in a hurry. As King's (The Outsider, 2018, etc.) latest opens, he's bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of pray? Or depraved?). Turns out he's a decorated cop, good at his job and at reading others (You ought to go see Doc Roper, he tells a local. There are pills that will brighten your attitude). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine--this is King, so it's got to be Maine--and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (You're in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was). It's not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps. King fans won't be disappointed, though most will likely prefer the scarier likes of The Shining and It. COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED. "
    Language: English
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