Umfang:
xxv, 597 Seiten :
,
Illustrationen, Notenbeispiele.
ISBN:
0190274050
,
978-0-19-027405-4
Serie:
Oxford handbooks
Inhalt:
Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged
Anmerkung:
Witnessing Space
,
Danfo
,
Felt Spaces
,
Sound in the mediated space
,
Inhabitating the uninhabitable: encontering atmospheres as other worlds
,
Keynote: sound art and time
,
Now in the network
,
The inter-human cortex
,
One municipality: sound, science, technology, and culture
,
Sound and wonder: siren, ethnometric museum and sound art theatre
,
The art that is made out of time
,
Keynote: sound and thing
,
Sacrificial floors and tables: making/ unmaking sound
,
The unreliable mediator: loudspeakers in sound art heard through music on a long, thin wire
,
A new materiality: post speaker sound art
,
The ding in itself
,
Sound art as locative narrative
,
Sound is silence
,
Materiality: the fabrication of sound
,
'And I listened to the whistlings and patterings outside': hearing the wild spaces as sound
,
Against a falling fabric: neoliberal acousmatics
,
Echo's embrace: the art of building with sound
,
Fukushima: silences that count
,
Sonic sense: the meaning of the invisible
,
Last breath, sensing life
,
Soundfullness
,
Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost, and the reconstructed
,
Listening: flexibility through noise, resonance through rhythm
,
Intimate listening
,
Minor acoustics: sound art, relationality, and poetic Listening
,
Composing fragmented relations with materials, locations, and archives
,
Sound art: hearing in particular
,
The Sonic undercommons: sound art in radical black arts traditions
,
Origin stories: race, silence, and what we call 'Sound Art'
,
A social sonic paradigm: sound art in Southern Africa
,
State listening
Sprache:
Englisch
Fachgebiete:
Musikwissenschaft
Schlagwort(e):
Sound Studies
;
Klangkunst
;
Akustik
;
Criticism, interpretation, etc
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033805692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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