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  • 1
    Online Resource
    Online Resource
    Oxford :Oxford University Press,
    UID:
    almahu_9949363125802882
    Format: 1 online resource (256 pages) : , illustrations (colour).
    Edition: First edition.
    ISBN: 9780191946608
    Series Statement: Oxford scholarship online
    Content: This book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. I start from the challenge expressed in Plato's critique of the arts generally according to which they do not lead us to what is true and good, and may take us away from them. I try to show that this Platonic challenge can be answered in its own terms, that painting is good because it does lead us to truth. What paintings can give us is a non-discursive 'knowledge by acquaintance' in which the essence of the painting's subject matter is made present to the viewer. I trace this understanding of painting as ontologically revelatory from the theology of the Byzantine icon to classical Chinese appreciations of landscape painting, to the work of Merleau-Ponty and other Phenomenologists inspired by European Modernist art. I argue that this account of painting as disclosing the essences of things can also take up what is right about expressive and formalist theories of painting and that it can apply as much to abstract as to representational painting. But disclosing the reality of things can only be of value if the reality disclosed is itself of value, and in the concluding part of the book I argue that the value of painting can only be properly understood in the context of a wider metaphysics or theology in which value is understood not as a human projection but as a basic characteristic of reality as such.
    Note: Preface and Acknowledgments -- Introduction -- PART ONE -- 1. Do Paintings Matter? The Platonic Challenge -- 2. Truth (and Goodness) in Painting -- PART TWO -- 3. Painting and Presence -- 4. Painting as Revelation: The Icon as Paradigm -- 5. Making the Invisible Visible: Merleau-Ponty -- 6. Expression and Form -- PART THREE -- 7. Metaphysical Implications: Essences, Concepts, Value -- 8. Natural Beauty -- 9. The Re-Enchantment of the World -- 10. Painting, Beauty, and the Sacred -- Bibliography -- Index. , Also available in Print and PDF edition.
    Additional Edition: Print version: .Painting and presence : why paintings matter. Oxford : Oxford University Press, 2022 ISBN 9780192856289
    Language: English
    RVK:
    Keywords: Electronic books. ; Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Oxford, United Kingdom : Oxford University Press
    UID:
    gbv_1819005178
    Format: x, 244 Seiten , 24 cm
    Edition: First edition
    ISBN: 9780192856289 , 0192856286
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe Rudd, Anthony Painting and Presence Oxford : Oxford University Press, Incorporated, 2022 ISBN 9780192669124
    Additional Edition: Erscheint auch als Online-Ausgabe Rudd, Anthony, 1963 - Painting and presence Oxford : Oxford University Press, 2022 ISBN 9780191946608
    Language: English
    RVK:
    Keywords: Malerei ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
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