UID:
edocfu_9959235178502883
Format:
1 online resource (242 p.)
Edition:
1st ed.
ISBN:
0-19-028603-2
,
0-19-772945-2
,
1-280-53105-3
,
0-19-535001-4
,
1-4237-8483-9
Series Statement:
Oxford scholarship online
Content:
In the London of William Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry.
Note:
Includes chronology of East's editions.
,
CONTENTS; INTRODUCTION; 1 The Life and Early Career of Thomas East; 2 Music Printing as an Enterprise in London before 1588; 3 Bibliographical Issues: East's Music Printshop and Chronological Puzzles; 4 Music Publishing during Byrd's Monopoly (1588-1593) Part I: Byrd's Publishing Agenda; 5 Music Printing during Byrd's Monopoly (1588-1593) Part II: The Benefits to East; 6 The Morley Era: Competition in London Music Printing and Publishing (1593-1602); 7 Thomas East and the Sphere of Public Affairs in the Twilight Years of the Elizabethan Era
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8 East's Last Years, His Legacy, and the Two Music Patents of the Early Stuart Era (1603-1611)CONCLUSION; ABBREVIATIONS AND SIGLA; APPENDIX 1: Tables; APPENDIX 2: Observations on Typographical Variants among East's Hidden Editions and Their Originals; APPENDIX 3: The East-Hassell-Snodham-Field Connection; APPENDIX 4: Checklist of Music Editions Printed by Thomas East; NOTES; SELECT BIBLIOGRAPHY; INDEX
,
English
Additional Edition:
ISBN 0-19-513905-4
Language:
English
DOI:
10.1093/oso/9780195139051.001.0001
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