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  • 1
    Online-Ressource
    Online-Ressource
    London ; : Routledge, Taylor and Francis Group,
    UID:
    almahu_9949880868402882
    Umfang: 1 electronic resource (vii, 155 pages)
    ISBN: 9780203080771 , 0203080777 , 9781136169489 , 1136169482 , 9781136169496 , 1136169490 , 9781136169427 , 1136169423
    Inhalt: "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--
    Anmerkung: 1. Screenwriting histories and myths of the profession -- 2. Screenwriting as creative labor -- 3. Screenwriters' working lives -- 4. Screenwriting work and the how-to genre -- 5. Screenwriting work : who's in and who's out?
    Weitere Ausg.: Print version: Screenwriting London ; Routledge, Taylor & Francis Group, 2014. ISBN 9780415642651 (hbk)
    Sprache: Englisch
    Schlagwort(e): Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Routledge
    UID:
    almahu_9949865815702882
    Umfang: 1 online resource
    ISBN: 9780415642651 , 0415642655 , 9780415642675 , 0415642671 , 9781136169427 , 1136169423 , 9780203080771 , 0203080777 , 9781136169489 , 1136169482 , 9781136169496 , 1136169490
    Sprache: Unbestimmte Sprache
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    Taylor & Francis | London ; : Routledge,
    UID:
    edoccha_9959406341802883
    Umfang: 1 online resource (164 p.)
    ISBN: 0-415-64267-1 , 0-203-08077-7 , 1-136-16948-2 , 1-136-16949-0
    Inhalt: "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--
    Anmerkung: Description based upon print version of record. , Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction: Setting the scene; 1 Screenwriting histories and myths of the profession; 2 Screenwriting as creative labor; 3 Screenwriters' working lives; 4 Screenwriting work and the how-to genre; 5 Screenwriting work: Who's in and who's out?; Conclusion: Screenwriting as good work; Appendix 1: How-to titles and authors; Appendix 2: Indicative publishing information for five 'guru' how-to text; Bibliography; Index , English
    Weitere Ausg.: ISBN 0-415-64265-5
    Weitere Ausg.: ISBN 1-306-66166-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    Taylor & Francis | London ; : Routledge,
    UID:
    edocfu_9959406341802883
    Umfang: 1 online resource (164 p.)
    ISBN: 0-415-64267-1 , 0-203-08077-7 , 1-136-16948-2 , 1-136-16949-0
    Inhalt: "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--
    Anmerkung: Description based upon print version of record. , Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction: Setting the scene; 1 Screenwriting histories and myths of the profession; 2 Screenwriting as creative labor; 3 Screenwriters' working lives; 4 Screenwriting work and the how-to genre; 5 Screenwriting work: Who's in and who's out?; Conclusion: Screenwriting as good work; Appendix 1: How-to titles and authors; Appendix 2: Indicative publishing information for five 'guru' how-to text; Bibliography; Index , English
    Weitere Ausg.: ISBN 0-415-64265-5
    Weitere Ausg.: ISBN 1-306-66166-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    Taylor & Francis | London ; : Routledge,
    UID:
    almahu_9948393418702882
    Umfang: 1 online resource (164 p.)
    ISBN: 0-415-64267-1 , 0-203-08077-7 , 1-136-16948-2 , 1-136-16949-0
    Inhalt: "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--
    Anmerkung: Description based upon print version of record. , Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction: Setting the scene; 1 Screenwriting histories and myths of the profession; 2 Screenwriting as creative labor; 3 Screenwriters' working lives; 4 Screenwriting work and the how-to genre; 5 Screenwriting work: Who's in and who's out?; Conclusion: Screenwriting as good work; Appendix 1: How-to titles and authors; Appendix 2: Indicative publishing information for five 'guru' how-to text; Bibliography; Index , English
    Weitere Ausg.: ISBN 0-415-64265-5
    Weitere Ausg.: ISBN 1-306-66166-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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