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  • 1
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    UID:
    gbv_1740831128
    Format: 1 Online-Ressource (310 pages)
    ISBN: 9780226593722
    Content: From the turn of the 20th century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theatres three to a block in places, widely circulated silver screen fanzines, and terms like 'cowboy' and 'gangster' entering Cuban vernacular speech. 'Hollywood in Havana' uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty
    Content: Introduction. Looking up : Hollywood and revolutionary Cuban nationalism -- The film business that unites : early US cinema in Havana, 1897-1928 -- Teaching eyes to see : the advent of Cuban film criticism, 1928-1934 -- Our men in Havana : Hollywood and good neighborly bonds, 1934-1941 -- You are men! Fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains : Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism : Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue. The show goes on : Hollywood in Havana after 1958.
    Additional Edition: ISBN 022659372X
    Additional Edition: ISBN 9780226593555
    Additional Edition: ISBN 022659355X
    Additional Edition: ISBN 9780226593692
    Additional Edition: ISBN 022659369X
    Additional Edition: ISBN 9780226593555
    Additional Edition: Erscheint auch als Druck-Ausgabe Feeney, Megan Hollywood in Havana : US Cinema and Revolutionary Nationalism in Cuba before 1959 Chicago : University of Chicago Press, ©2019 ISBN 9780226593555
    Language: English
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    UID:
    almafu_BV045866433
    Format: viii, 299 Seiten : , Illustrationen ; , 22 cm.
    ISBN: 978-0-226-59355-5 , 978-0-226-59369-2
    Content: In the 1940s and '50s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, Bette Davis, Joan Crawford, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like "cowboy" and "gangster" becoming part of Cuban vernacular speech. Hollywood in Havana takes this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that American movies helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty after seeing freedom-fighting and rebellious values and behaviors on display in wartime dramas and film noirs. At the same time, influential Cuban intellectuals worked to translate cinematic ethics into revolutionary rhetoric--which, ironically, led to pointed critiques of the US presence in Cuba and which were eventually used to subvert American foreign policy. Hollywood in Havana adds to our evolving notions of how American cinema has been internalized and localized around the world, while also broadening our views of the ongoing history of US-Cuban interactions, both cultural and political
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-226-59372-2
    Language: English
    Keywords: Film ; Rezeption ; History
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Chicago ; : The University of Chicago Press,
    UID:
    almahu_9949881055502882
    Format: 1 online resource (310 pages)
    ISBN: 9780226593722 (e-book)
    Note: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.
    Additional Edition: Print version: Feeney, Megan. Hollywood in Havana : US cinema and revolutionary nationalism in Cuba before 1959. Chicago ; London : The University of Chicago Press, 2019 ISBN 9780226593555
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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