Umfang:
1 Online-Ressource (xii, 337 pages)
,
illustrations
Ausgabe:
Expanded edition
Ausgabe:
Online-Ausg.
ISBN:
0253339367
,
0253214645
,
0253013720
,
9780253339362
,
9780253214645
,
9780253013729
Serie:
Music--scholarship and performance
Inhalt:
Stylized dance music and music based on dance rhythms pervade Bach's compositions. Although the music of this very special genre has long been a part of every serious musician's repertoire, little has been written about it. The original edition of this addressed works that bore the names of dances-a considerable corpus. In this expanded version of their practical and insightful study, Meredith Little and Natalie Jenne apply the same principals to the study of a great number of Bach's works that use identifiable dance rhythms but do not bear dance-specific titles. Part I describes French dance practices in the cities and courts most familiar to Bach. Part II presents the dance forms that Bach used, annotating all of his named dances
Anmerkung:
Includes bibliographical references (pages 323-330) and index
,
Part I. Introduction. French court dance in Bach's world ; Terms and procedures -- Part II. Bach's dance music. The Bourée ; The Gavotte ; The Minuet ; The Passepied ; The Sarabande ; The Courante ; The Corrente ; The Gigue ; The Loure and the Forlana ; The Polonaise ; The Chaconne and the Passacaglia ; Dance rhythms in Bach's larger works ; Gigas -- Appendix A. Titled dances by J.S. Bach -- Appendix B. Dance rhythms in Bach's larger works.
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Little, Meredith, 1934- Dance and the music of J.S. Bach Bloomington : Indiana University Press, ©2001
Sprache:
Englisch
URL:
Volltext
(lizenzpflichtig)
Mehr zum Autor:
Jenne, Natalie 1934-
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