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  • 1
    Image
    Image
    New Haven : Yale University Press
    UID:
    gbv_812658590
    Format: ix, 359 Seiten , Illustrationen , 29 cm
    ISBN: 0300209894 , 9780300209891
    Content: "Medieval prayer books held not only the devotions and meditations of Christianity, but also housed, slipped between pages, sundry notes, reminders, and ephemera, such as pilgrims' badges, sworn oaths, and small painted images. Many of these last items have been classified as manuscript illumination, but Kathryn M. Rudy argues that these pictures should be called, instead, parchment paintings, similar to postcards. In a delightful study identifying this group of images for the first time, Rudy delineates how these objects functioned apart from the books in which they were kept. Whereas manuscript illuminations were designed to provide a visual narrative to accompany a book's text, parchment paintings offered a kind of autonomous currency for exchange between individuals--people who longed for saturated color in a gray world of wood, stone, and earth. These small, colorful pictures offered a brilliant reprieve, and Rudy shows how these intriguing and previously unfamiliar images were traded and cherished, shedding light into the everyday life and relationships of those in the medieval Low Countries. "--
    Note: Literaturverzeichnis: Seite 337-356
    Language: English
    Subjects: German Studies , General works
    RVK:
    RVK:
    Keywords: Illuminierte Handschrift ; Gebetbuch ; Pergament ; Malerei ; Ephemera ; Verwendung ; Alltagskultur ; Geschichte 1200-1550
    Author information: Rudy, Kathryn M. 1969-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New Haven and London :Yale University Press,
    UID:
    almafu_BV042337859
    Format: IX, 359 S. : , zahlr. Ill.
    ISBN: 978-0-300-20989-1
    Content: "Medieval prayer books held not only the devotions and meditations of Christianity, but also housed, slipped between pages, sundry notes, reminders, and ephemera, such as pilgrims' badges, sworn oaths, and small painted images. Many of these last items have been classified as manuscript illumination, but Kathryn M. Rudy argues that these pictures should be called, instead, parchment paintings, similar to postcards. In a delightful study identifying this group of images for the first time, Rudy delineates how these objects functioned apart from the books in which they were kept. Whereas manuscript illuminations were designed to provide a visual narrative to accompany a book's text, parchment paintings offered a kind of autonomous currency for exchange between individuals--people who longed for saturated color in a gray world of wood, stone, and earth. These small, colorful pictures offered a brilliant reprieve, and Rudy shows how these intriguing and previously unfamiliar images were traded and cherished, shedding light into the everyday life and relationships of those in the medieval Low Countries. "--
    Note: Includes bibliographical references (pages 337-352) and indexes
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Gebetbuch ; Pergamenthandschrift ; Buchmalerei ; Pergament ; Temperamalerei ; Illuminierte Handschrift ; Ephemera ; Gesellschaft ; Alltagskultur
    Author information: Rudy, Kathryn M. 1969-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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