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  • 1
    Bild
    Bild
    New Heaven : Yale University Press
    UID:
    gbv_182318894X
    Umfang: x, 331 Seiten , Illustrationen , 26 cm
    ISBN: 9780300257632
    Inhalt: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Anmerkung: Notes bibliographiques. Index
    Sprache: Englisch
    Schlagwort(e): USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012 ; USA ; Bildnismalerei ; Porträtfotografie ; Schwarze ; Sklave ; Sklavin ; Widerstand ; Geschichte 1770-2020
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    New Haven ; London :Yale University Press,
    UID:
    almafu_BV048559192
    Umfang: x, 331 Seiten : , Illustrationen ; , 26 cm.
    ISBN: 978-0-300-25763-2
    Inhalt: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Sprache: Englisch
    Schlagwort(e): Schwarze ; Bildnismalerei ; Schwarze ; Sklave ; Sklavin ; Widerstand ; Bildnismalerei ; Porträtfotografie ; Schwarze ; Sklave ; Sklavin ; Portraits
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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