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  • 1
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV047004974
    Format: 1 online resource , illustrations
    ISBN: 9780367029302 , 0367029308 , 9780429629471 , 0429629478 , 9780429627835 , 0429627831 , 9780429626197 , 0429626193
    Series Statement: Routledge studies in media theory & practice
    Content: In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the 'reading-image' to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences--including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)--Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media
    Note: "Routledge focus."
    Language: English
    URL: Volltext  (URL des Erstveroeffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    UID:
    gbv_1664026797
    Format: xi, 147 Seiten
    ISBN: 9780367029289
    Series Statement: Routledge studies in media theory & practice 7
    Content: Motion typography -- The "reading-image".
    Content: "In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the 'reading-image' to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences--including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)--Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media"--
    Note: Includes index
    Additional Edition: ISBN 9780367029302
    Additional Edition: Erscheint auch als Online-Ausgabe Betancourt, Michael, 1970 - Typography and motion graphics New York : Routledge, Taylor & Francis Group, 2019 ISBN 9780367029302
    Additional Edition: ISBN 0367029308
    Additional Edition: ISBN 9780429629471
    Additional Edition: ISBN 0429629478
    Additional Edition: ISBN 9780429627835
    Additional Edition: ISBN 0429627831
    Additional Edition: ISBN 9780429626197
    Additional Edition: ISBN 0429626193
    Language: English
    Keywords: Grafik ; Untertitel
    Author information: Betancourt, Michael 1970-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York :Routledge,
    UID:
    almahu_9949384225402882
    Format: 1 online resource
    ISBN: 9780367029302 , 0367029308 , 9780429627835 , 0429627831 , 9780429629471 , 0429629478 , 9780429626197 , 0429626193
    Series Statement: Routledge studies in media theory & practice ; 7
    Content: "In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the 'reading-image' to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences--including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)--Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media"--
    Note: Motion typography -- The "reading-image."
    Additional Edition: Print version: Typography and motion graphics. New York : Routledge, 2019 ISBN 9780367029289
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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