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  • 1
    Online Resource
    Online Resource
    Abingdon, Oxon : Routledge,
    UID:
    gbv_1805734121
    Format: 1 online resource (xii, 245 pages)
    ISBN: 9780429281709 , 0429281706 , 1000510573 , 9781000510539 , 1000510530 , 9781000510577
    Series Statement: Ashgate interdisciplinary studies in opera
    Additional Edition: ISBN 0367243202
    Additional Edition: ISBN 9780367243203
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0367243202
    Language: English
    Keywords: Electronic book.
    URL: Full text available: 2021.  (Available in Taylor & Francis eBooks (Open Access).)
    URL: Full text available: 2022.  (Available in OAPEN (Open Access Publishing in European Networks).)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Milton :Taylor & Francis Group,
    UID:
    almahu_9949517374502882
    Format: 1 online resource (261 pages)
    ISBN: 9781000510577
    Series Statement: Ashgate Interdisciplinary Studies in Opera Series
    Additional Edition: Print version: Schneider, Magnus Tessing The Original Portrayal of Mozart's Don Giovanni Milton : Taylor & Francis Group,c2021 ISBN 9780367243203
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    London ; New York : Routledge
    UID:
    b3kat_BV047621568
    Format: xii, 245 Seiten , Illustrationen
    ISBN: 9781032158334 , 9780367243203
    Series Statement: Ashgate interdisciplinary studies in opera
    Content: The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.
    Additional Edition: Äquivalent
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-0-429-28170-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni ; Bassi, Luigi 1766-1825 ; Interpretation ; Aufführungspraxis
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1794583939
    Format: 1 Online-Ressource (245 p.)
    ISBN: 9780429281709 , 9781000510539 , 9781032158334 , 9780429281709 , 9780367243203
    Series Statement: Ashgate Interdisciplinary Studies in Opera
    Content: The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers
    Note: English
    Language: English
    Subjects: Musicology
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Taylor & Francis | Abingdon, Oxon :Taylor & Francis,
    UID:
    almahu_9949209711402882
    Format: 1 online resource (xii, 245 pages)
    ISBN: 1-03-215833-6 , 0-429-28170-6
    Series Statement: Ashgate Interdisciplinary Studies in Opera
    Content: The Original Portrayal of Mozart's Don Giovanni offers an original reading of Mozart's and Da Ponte's opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766-1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi's portrayal with a study of the opera's early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today's stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.
    Note: English
    Additional Edition: ISBN 1-000-51053-0
    Additional Edition: ISBN 0-367-24320-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Taylor & Francis | Abingdon, Oxon :Taylor & Francis,
    UID:
    edocfu_9960045513602883
    Format: 1 online resource (xii, 245 pages)
    ISBN: 1-03-215833-6 , 0-429-28170-6
    Series Statement: Ashgate Interdisciplinary Studies in Opera
    Content: The Original Portrayal of Mozart's Don Giovanni offers an original reading of Mozart's and Da Ponte's opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766-1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi's portrayal with a study of the opera's early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today's stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.
    Note: English
    Additional Edition: ISBN 1-000-51053-0
    Additional Edition: ISBN 0-367-24320-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Taylor & Francis | Abingdon, Oxon :Taylor & Francis,
    UID:
    edoccha_9960045513602883
    Format: 1 online resource (xii, 245 pages)
    ISBN: 1-03-215833-6 , 0-429-28170-6
    Series Statement: Ashgate Interdisciplinary Studies in Opera
    Content: The Original Portrayal of Mozart's Don Giovanni offers an original reading of Mozart's and Da Ponte's opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766-1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi's portrayal with a study of the opera's early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today's stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.
    Note: English
    Additional Edition: ISBN 1-000-51053-0
    Additional Edition: ISBN 0-367-24320-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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