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  • 1
    Online Resource
    Online Resource
    [S.l.] : ROUTLEDGE
    UID:
    gbv_1816456438
    Format: 1 online resource.
    ISBN: 9781000590722 , 1000590720 , 9780367822026 , 0367822024 , 9781000590746 , 1000590747
    Series Statement: SEMPRE studies in the psychology of music
    Additional Edition: ISBN 0367421321
    Additional Edition: ISBN 9780367421328
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0367421321
    Language: English
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  • 2
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949385590602882
    Format: 1 online resource (xxi, 240 pages)
    ISBN: 9781000590722 , 1000590720 , 9780367822026 , 0367822024 , 9781000590746 , 1000590747
    Series Statement: SEMPRE studies in the psychology of music
    Content: In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company's early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
    Additional Edition: Print version: ISBN 9781000590746
    Additional Edition: Print version: ISBN 0367421321
    Additional Edition: ISBN 9780367421328
    Language: English
    Keywords: Electronic books. ; Criticism, interpretation, etc. ; History.
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  • 3
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV048406004
    Format: xxi, 240 Seiten : , Illustrationen, Diagramme.
    ISBN: 978-0-367-42132-8 , 978-1-03-227016-6
    Series Statement: SEMPRE studies in the psychology of music
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-0-367-82202-6
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Schallplattenaufzeichnung ; Musikerin
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  • 4
    UID:
    gbv_1805758756
    Format: xxi, 240 Seiten , Illustrationen, Diagramme , 24 cm
    ISBN: 9780367421328 , 9781032270166
    Series Statement: SEMPRE studies in the psychology of music
    Additional Edition: ISBN 9781000590746
    Additional Edition: ISBN 9781000590722
    Additional Edition: ISBN 9780367822026
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781000590746
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Gramophone Company ; Schallplattenaufzeichnung ; Hindustanimusik ; Karnatische Musik ; Britisch-Indien ; Geschichte 1900-1930 ; Britisch-Indien ; Devadāsī ; Musikerin ; Hindustanimusik ; Karnatische Musik ; Schallplattenaufzeichnung ; Geschichte 1900-1930 ; Britisch-Indien ; Plattenspieler ; Musikleben ; Musikwirtschaft ; Geschichte 1900-1930
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