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  • 1
    UID:
    gbv_1697910513
    Umfang: 1 online resource (293 p.)
    ISBN: 9780429672101 , 0429672101 , 9780429020209 , 0429020201 , 9780429669125 , 0429669127 , 9780429670619 , 0429670613
    Inhalt: Cover; Half Title; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgements; Notes on Contributors; Introduction; History and Scope; Repertoire, Pedagogy, and Performance; Inclusion and Organization; Festival Politics; On the Front Lines of Protest; Parading Onwards; Notes; References; PART I: History and Scope; 1. The Many Roads to HONK! and the Power of Brass and Percussion; HONK! and BOOM: A Deep History of Brass and Percussion; Transforming the Military Model; The Path to HONK!; The HONK! Rhizome; Notes; References
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    almahu_9949386075702882
    Umfang: 1 online resource (xii, 279 pages)
    ISBN: 9780429020209 , 0429020201 , 9780429672101 , 0429672101 , 9780429670619 , 0429670613 , 9780429669125 , 0429669127
    Inhalt: "HONK! Music Activism in a Street Band Renaissance reflects on the recent, transnational revival of street bands. It provides a window into diverse manifestations of cultural activity that mobilizes communities to reimagine the public square, protest injustice, and celebrate community. With the joy of participatory music making at its core, HONK bands are a fast-growing phenomena, asserting their activism through "radical inclusion," active musical engagement in street protests, and grassroots organization. This collection of twenty-two essays, voiced in various local contexts, describes how the diversity of manifestations of these movements parallels the rich diversity of the musical repertoires these bands play and share. The HONK! Festival of Activist Street Bands began in Somerville, Mass, in 2006 as an independent, non-commercial, street festival, featuring community-based brass and percussion bands. HONK has since spread to three continents. The contributors tackle a diverse range of themes, including circulation of repertoire, innovative musical pedagogies, musical engagement within protest, and various theories of activism, incl. the social dynamics of gender, race, and class. Musicians, activists, and scholars engage with how HONK! Festivals might pursue their goals of "changing the world.""--
    Anmerkung: 〈P〉〈strong〉Part I: History and Scope / 〈/strong〉1. The Many Roads to HONK! and the Power of Brass and Percussion 〈em〉(Reebee Garofalo) 〈/em〉/ 2. Autonomous Street Carnival Blocos and Reinventing Citizenship in Rio de Janeiro 〈em〉(Laurine Sézérat) 〈/em〉/ 3. Jericho’s Harvest: A Short History of Brass Bands as a Voice for Political Opposition in Europe〈em〉 (Gregg Moore) 〈/em〉/ 4. Protest, Polyvalence, and Indirection in Benin's Brass Band Music 〈em〉(Sarah Politz) 〈/em〉/ 5. Japanese Perspective on HONK! Fest West: A Conversation with Ōkuma Wataru of Jinta-la-Mvta 〈em〉(Marié Abe) / 〈/em〉〈strong〉Part II: Repertoire, Pedagogy, and Performance 〈/strong〉/ 6. Musical Eclecticism, Cultural Appropriation, and Whiteness in Mission Delirium and HONK! 〈em〉(Andrew Snyder) 〈/em〉/ 7. Learning on Parade with the School of HONK 〈em〉(Kevin Leppmann)〈/em〉 / 8. From Page to Performance: Learning a Song in an Italian Multi-Level Activist Brass Band 〈em〉(Mario Giuseppe Camporeale) 〈/em〉/ 〈strong〉Part III: Inclusion and Organization 〈/strong〉/ 9. Leadership, Inclusion, and Group Decision-Making in HONK! Bands 〈em〉(Meghan Elizabeth Kallman) 〈/em〉/ 10. Building Connections While Maintaining the Band: The Challenging Politics of Inclusion in Activist Work 〈em〉(Naomi Podber) 〈/em〉/ 11. Horns and Hers: The Subversion of Gendered Instrumentation in the HONK! Movement 〈em〉(Becky Liebman) 〈/em〉/ 12. Collective Effervescence and the Political Ethos of the HONK! Movement 〈em〉(Geoffrey Lee) 〈/em〉/ 〈strong〉Part IV: Festival Organization and Politics〈/strong〉 / 13. HONK! and the Politics of Performance in Public Space 〈em〉(John Bell) 〈/em〉/ 14. Why Do We Honk? How Do We Honk?: Politics, Antipolitics, and Activist Street Bands 〈em〉(Rosza Daniel Lang/Levitsky with Michele Hardesty) 〈/em〉/ 15. Pittonkatonk and Valuing Music as a Public Good 〈em〉(Richard Randall) 〈/em〉/ 16. The Key of Rest: HONK!’s Hospitality Activism 〈em〉(Mike*Antares) 〈/em〉/ 〈strong〉Part V: On the Front Lines of Protest 〈/strong〉/ 17. Infernal Noise: Sowing a Propaganda of Sound 〈em〉(Jennifer Whitney) 〈/em〉/ 18. Listening for Lefebvre: Chant Support, Sonic Disobedience, and the City as "〈em〉Oeuvre〈/em〉" 〈em〉(Abigail Ellman) 〈/em〉/ 19. Syncopation Against the Occupation: Handling High-Risk Situations as an Activist Street Band in Israel-Palestine 〈em〉(Iris Arieli) 〈/em〉/ 20. Sounding Solidarity at the Suffolk County ICE Immigration Detention Center 〈em〉(Erin T. Allen)〈/em〉〈/p〉
    Weitere Ausg.: Print version: HONK! New York : Routledge, 2020. ISBN 9780367030704
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Criticism, interpretation, etc.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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