UID:
almahu_9949384341702882
Umfang:
1 online resource (xv, 142 pages) :
,
illustrations
ISBN:
9780429504716
,
0429504713
,
9780429997723
,
0429997728
,
9780429997730
,
0429997736
Inhalt:
While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the Bach project, a collection of new music based on Johann Sebastian Bach's Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.
Anmerkung:
Poiesis -- Authorship and workhood : intellectual framework -- Barthes and Derrida : terminology and methodology -- Death and (re) birth of J.S. Bach : case studies -- Conclusion.
Weitere Ausg.:
Print version: Death and (re) birth of J. S. Bach Abingdon, Oxon ; New York, NY : Routledge, 2019. ISBN 9781138586260
Sprache:
Englisch
Schlagwort(e):
Electronic books.
;
Electronic books.
;
Criticism, interpretation, etc.
URL:
https://www.taylorfrancis.com/books/9780429504716
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