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  • 1
    UID:
    almafu_9958380409602883
    Format: 1 online resource (365 pages)
    ISBN: 9780472901029 , 0472901028 , 9780472123445 , 0472123440
    Content: This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.
    Note: Description based upon print version of record. , Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary.
    Additional Edition: ISBN 9780472073726
    Additional Edition: ISBN 0472073729
    Additional Edition: ISBN 9780472053728
    Additional Edition: ISBN 0472053728
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    UID:
    b3kat_BV048279314
    Format: 1 Online-Ressource
    ISBN: 0472073729 , 0472123440 , 0472901028 , 0813592178 , 9780472073726 , 9780472123445 , 9780472901029 , 9780813592176
    Content: This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more
    Note: Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary , English
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0472053728
    Additional Edition: ISBN 9780472053728
    Language: English
    Keywords: China ; Hongkong ; Taiwan ; Film ; Geschichte 1900-1940 ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    UID:
    gbv_896613763
    Format: 1 Online-Ressource (354 Seiten) , Illustrationen
    ISBN: 9780472123445
    Content: This collection explores the complex world of early cinema in China, Hong Kong, and Taiwan. The story of how cinema established itself in China has not been well-understood. Cultural models for cinema-going and industry practices varied widely across China. By looking at several centers of cinematic activity, going beyond commercial fiction film to include non-fiction films (such as educational film), and taking on Cantonese as well as Mandarin productions. Beyond the Silver Screens presents early cinema in China in a new light Highlights Hong Kong, Taipei and Guangzhou as well as better-know examples from Shanghai, these essays foreground the cinema’s relationships with imperialism and colonialism, examining how cinematic culture established itself by adapting to distinctive local social and artistic practices, emphasizing the potency of cinema as a sociocultural institution.
    Additional Edition: ISBN 9780472053728
    Additional Edition: ISBN 9780472073726
    Language: English
    Keywords: China ; Hongkong ; Taiwan ; Film ; Geschichte 1900-1940
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Michigan Press
    UID:
    gbv_1877787728
    Format: 1 Online-Ressource
    ISBN: 9780472901029 , 9780472073726
    Content: This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more
    Note: English
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0472053728
    Additional Edition: ISBN 9780472053728
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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