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  • 1
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    UID:
    b3kat_BV048237376
    Format: 1 Online-Ressource
    ISBN: 9780472902958
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-472-05558-6
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1810208424
    Format: 1 Online-Ressource (240 pages) , illustrations
    ISBN: 9780472902958 , 0472902954
    Content: Before he became the father of cinematic special effects, George Méliès (1861-1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, Méliès Boots traces how the full trajectory of Georges Méliès' career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre. Solomon examines Méliès' unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group's relevance for Méliès, early cinema, and modernity. By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès' work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution
    Note: Includes bibliographical references
    Additional Edition: ISBN 9780472055586
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Biographies. ; History.
    URL: JSTOR
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Ann Arbor :University of Michigan Press,
    UID:
    almahu_9949369312002882
    Format: 1 online resource (271 pages)
    ISBN: 9780472902958
    Additional Edition: Print version: Solomon, Matthew Méliès Boots Ann Arbor : University of Michigan Press,c2022 ISBN 9780472055586
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almahu_9949299979402882
    Format: 1 online resource (1 online resource 240 pages) : , illustrations
    ISBN: 0-472-90295-4
    Content: Before he became the father of cinematic special effects, George Méliès (1861-1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, Méliès Boots traces how the full trajectory of Georges Méliès' career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre. Solomon examines Méliès' unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group's relevance for Méliès, early cinema, and modernity. By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès' work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution.
    Note: English
    Additional Edition: ISBN 0-472-05558-5
    Language: English
    Keywords: Biographies. ; History. ; Biographies.
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    edoccha_9960727336102883
    Format: 1 online resource (1 online resource 240 pages) : , illustrations
    ISBN: 0-472-90295-4
    Content: Before he became the father of cinematic special effects, George Méliès (1861-1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, Méliès Boots traces how the full trajectory of Georges Méliès' career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre. Solomon examines Méliès' unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group's relevance for Méliès, early cinema, and modernity. By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès' work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution.
    Note: English
    Additional Edition: ISBN 0-472-05558-5
    Language: English
    Keywords: Biographies. ; History. ; Biographies.
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    edocfu_9960727336102883
    Format: 1 online resource (1 online resource 240 pages) : , illustrations
    ISBN: 0-472-90295-4
    Content: Before he became the father of cinematic special effects, George Méliès (1861-1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, Méliès Boots traces how the full trajectory of Georges Méliès' career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre. Solomon examines Méliès' unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group's relevance for Méliès, early cinema, and modernity. By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès' work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution.
    Note: English
    Additional Edition: ISBN 0-472-05558-5
    Language: English
    Keywords: Biographies. ; History. ; Biographies.
    Library Location Call Number Volume/Issue/Year Availability
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