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  • 1
    Book
    Book
    Berkeley, Calif. [u.a.] :Univ. of California Press,
    UID:
    almahu_BV012436058
    Format: X, 239 S. : Ill.
    ISBN: 0-520-21304-1 , 0-520-21303-3
    Series Statement: The S. Mark Taper Foundation imprint in Jewish studies
    Content: The book asks all the right questions about society, culture, religion and art.
    Language: English
    Subjects: Theology
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    Keywords: Juden ; Kulturelle Identität ; Kunstgeschichtsschreibung ; Geschichte ; Juden ; Identität ; Moderne ; Kunst ; Juden ; Kunsthistoriker ; Kunstgeschichte ; Geschichte ; Jüdische Kunst ; Jüdische Kunst ; Kunstwissenschaft ; Methode ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    Book
    Book
    Berkeley [u.a.] : University of California Press
    Show associated volumes
    UID:
    kobvindex_JMB00001363
    Format: X, 239 Seiten , Ill.
    ISBN: 0520213041
    Language: English
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  • 3
    Online Resource
    Online Resource
    Berkeley, California :University of California Press,
    UID:
    edocfu_9959235906002883
    Format: 1 online resource (256 p.)
    Edition: First edition.
    ISBN: 0-520-92067-8 , 0-585-23008-0
    Series Statement: S. Mark Taper Foundation Imprint in Jewish Studies
    Content: In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and Jewish patronage of German Expressionist art. Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.
    Note: Bibliographic Level Mode of Issuance: Monograph , Frontmatter -- , Contents -- , Acknowledgments -- , Introducing Jewish Identity to Art History -- , From Bezal'el to Max Liebermann Jewish Art in Nineteenth-Century Art-Historical Texts -- , Anti-Semitism and Aniconism The Germanophone Requiem for Jewish Visual Art -- , To Figure, or Not to Figure The Iconoclastic Proscription and Its Theoretical Legacy -- , Jewish Identity in Art and History Maurycy Gottlieb as Early Jewish Artist -- , Collecting and Collective Memory German Expressionist Art and Modern Jewish Identity -- , Ethnic Notions and Feminist Strategies of the ig70s Some Work by Judy Chicago and Eleanor Antin -- , Art History, German Jewish Identity, and the Emigration of Iconology -- , Refranting the Self-Criticism Clement Greenberg's "Modernist Painting" in Light of Jewish Identity -- , Meyer Schapiro's Jewish Unconscious -- , Aby Warburg Forced Identity and "Cultural Science" -- , Illustrations -- , Contributors -- , Index , English
    Additional Edition: ISBN 0-520-21304-1
    Language: English
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