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  • 1
    Buch
    Buch
    Berkeley [u.a.] :Univ. of California Press,
    UID:
    almahu_BV013630450
    Umfang: X, 216 S.
    ISBN: 0-520-22588-0 , 0-520-22589-9
    Inhalt: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel principally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    RVK:
    Schlagwort(e): Englisch ; Roman ; Feministische Literaturwissenschaft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press
    UID:
    gbv_646744755
    Umfang: Online-Ressource (x, 216 p) , 24 cm
    Ausgabe: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    ISBN: 0520225899 , 0520225880
    Inhalt: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system
    Anmerkung: Includes bibliographical references (p. 185-193) and index , Acknowledgments; Introduction: The Gender Politics of Narrative Modes; 1. Daniel Defoe and the Gendered Subject of Individualism; 2. Clarissa and the Pornographic Imagination; 3. (W)holes and Noses: The Indeterminacies of Tristram Shandy; 4. Horace Walpole and the Nightmare of History; Conclusion: The Relation of Fiction and Theory; Notes; Works Cited; Index , Electronic reproduction; Available via World Wide Web
    Weitere Ausg.: ISBN 9780520225886
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe The Trauma of Gender : A Feminist Theory of the English Novel
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Berkeley :University of California Press,
    UID:
    edocfu_9959231569602883
    Umfang: 1 online resource (228 p.)
    Ausgabe: 1st ed.
    ISBN: 0-520-92583-1 , 1-59734-964-X
    Inhalt: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system.
    Anmerkung: Description based upon print version of record. , Acknowledgments; Introduction: The Gender Politics of Narrative Modes; 1. Daniel Defoe and the Gendered Subject of Individualism; 2. Clarissa and the Pornographic Imagination; 3. (W)holes and Noses: The Indeterminacies of Tristram Shandy; 4. Horace Walpole and the Nightmare of History; Conclusion: The Relation of Fiction and Theory; Notes; Works Cited; Index , Issued also in print. , English
    Weitere Ausg.: ISBN 0-520-22588-0
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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