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  • 1
    Online-Ressource
    Online-Ressource
    Berkeley :University of California Press,
    UID:
    almafu_9958075139102883
    Umfang: 1 online resource (288 p.)
    Ausgabe: 1st ed.
    ISBN: 9781597348577 , 1597348570 , 9780520928213 , 0520928210
    Inhalt: In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930's, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
    Anmerkung: Description based upon print version of record. , Front matter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. Composers and Their Audience in the Thirties -- , 2. Nationalism -- , 3. Is Music in Decline? -- , 4. Rendezvous with Apollo: Form Is Feeling -- , 5. Reinventing the Past: Pastiche, Collage, or "Criticism"? -- , 6. Serialism: Composer as Theorist -- , 7. Rapprochement or Friendly Takeover? -- , 8. Postmodern Music -- , 9. Virgil Thomson and the Press -- , 10. Music on My Beat -- , 11. PNM and the Ph.D. -- , 12. A Tale of Two Critics: Rosenfeld and Haggin -- , 13. Do We Hear What We Say We Hear? -- , 14. New Linguistic Modes and the New Theory -- , 15. The Octatonic Scale -- , 16. Backstage at the Opera -- , 17. A Tale of Two Conductors: Koussevitzky and Mitropoulos -- , 18. From My Diary: Brief Encounters -- , Appendix: From My Scrapbook -- , Notes -- , Index , English
    Weitere Ausg.: ISBN 9780520232518
    Weitere Ausg.: ISBN 0520232518
    Weitere Ausg.: ISBN 9780520232525
    Weitere Ausg.: ISBN 0520232526
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Berkeley [u.a.] : University of California Press
    UID:
    gbv_1603514066
    Umfang: vii, 270 p. , ill. , 24 cm
    ISBN: 0520232518
    Anmerkung: Includes bibliographical references and index , Trends in twentieth-century American composition. Composers and their audience in the thirties ; Nationalism ; Is music in decline? ; Rendezvous with Apollo : form is feeling ; Reinventing the past : pastiche, collage, or "criticism"? ; Serialism : composer as theorist ; Rapprochement or friendly takeover? ; Postmodern music -- Writing about music. Virgil Thomson and the press ; Music on my beat ; PNM and the Ph. D. ; A tale of two critics : Rosenfeld and Haggin -- Aesthetics and musical analysis. Do we hear what we say we hear? ; New linguistic modes and the new theory ; The octatonic scale -- Retrospective. Backstage at the opera ; A tale of two conductors : Koussevitzky and Mitropoulos ; From my diary : brief encounters
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): USA ; Neue Musik ; USA ; Musik ; Geschichte 1900-2000 ; USA ; Musik ; Geschichte 1930-2000 ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press
    UID:
    gbv_1003569749
    Umfang: 1 Online-Ressource (vii, 270 pages) , illustrations
    Ausgabe: Online-Ausg.
    ISBN: 0520232526 , 0520232518 , 0520928210 , 1597348570 , 1417523913 , 9780520232525 , 9780520232518 , 9780520928213 , 9781597348577 , 9781417523917
    Inhalt: In this collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the 20th century
    Inhalt: Trends in twentieth-century American composition. Composers and their audience in the thirties ; Nationalism ; Is music in decline? ; Rendezvous with Apollo : form is feeling ; Reinventing the past : pastiche, collage, or "criticism"? ; Serialism : composer as theorist ; Rapprochement or friendly takeover? ; Postmodern music -- Writing about music. Virgil Thomson and the press ; Music on my beat ; PNM and the Ph. D. ; A tale of two critics : Rosenfeld and Haggin -- Aesthetics and musical analysis. Do we hear what we say we hear? ; New linguistic modes and the new theory ; The octatonic scale -- Retrospective. Backstage at the opera ; A tale of two conductors : Koussevitzky and Mitropoulos ; From my diary : brief encounters
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Berger, Arthur, 1912-2003 Reflections of an American composer Berkeley : University of California Press, ©2002
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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