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  • 1
    Book
    Book
    Berkeley [u.a.] :Univ. of California Press,
    Show associated volumes
    UID:
    almafu_BV019709619
    Format: VIII, 249 S.
    ISBN: 0-520-23374-3 , 0-520-24144-4
    Series Statement: American crossroads 15
    Content: "Examines the importance of culture in the push for black political power and social recognition and argues the key black cultural practices have been notable in reconfiguring the shape and texture of social and cultural life in the U.S. Drawing on examples from jazz, television, and academia, Gray highlights cultural strategies for inclusion in the dominant culture as well as cultural tactics that move beyond the quest for mere recognition by challenging, disrupting, and unsettling dominant cultural representations and institutions. In the end, Gray challenges the conventional wisdom about the centrality of representation and politics in black cultural production"--Provided by publisher.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Sociology
    RVK:
    Keywords: Schwarze ; Repräsentation ; Fernsehen ; Kultur
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  • 2
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    almahu_9948310259602882
    Format: viii, 249 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: American crossroads ; 15
    Language: English
    Keywords: Electronic books.
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  • 3
    Online Resource
    Online Resource
    Berkeley : University of California Press
    UID:
    gbv_646806599
    Format: Online-Ressource (viii, 249 p)
    Edition: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    ISBN: 0520233743 , 0520241444
    Series Statement: American crossroads 15
    Content: Herman Gray takes a sweeping look at black popular culture over the past decade to explore culture's role in the push for black political power and social recognition. In a series of linked essays, he finds that black artists, scholars, musicians, and others have been instrumental in reconfiguring social and cultural life in the United States and he provocatively asks how black culture can now move beyond a preoccupation with inclusion and representation. Gray considers how Wynton Marsalis and his creation of a jazz canon at Lincoln Center acted to establish cultural visibility and legitimacy
    Note: Includes bibliographical references and index , Contents; Acknowledgments; Introduction: Strategies, Tactics, Moves; PART I: Strategies; 1. The New Conditions of Black Cultural Production; 2. Jazz Tradition, Institutional Formation, and Cultural Practice; 3. The Jazz Left; PART II: Tactics; 4. Where Have All the Black Shows Gone?; 5. Television and the Politics of Difference; 6. Different Dreams, Dreams of Difference; 7. Cultural Politics as Outrage(ous); PART III: Moves; 8. Is (Cyber) Space the Place?; 9. Music, Identity, and New Technology; Conclusion: Cultural Moves; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N , OP; Q; R; S; T; U; V; W; Y , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9780520241442
    Additional Edition: Erscheint auch als Druck-Ausgabe Cultural Moves : African Americans and the Politics of Representation
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Berkeley : University of California Press
    UID:
    gbv_1003570747
    Format: 1 Online-Ressource (viii, 249 pages)
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    ISBN: 0520241444 , 0520937872 , 0520233743 , 1282357867 , 1417573732 , 9780520241442 , 9780520937871 , 9780520233744 , 9781282357860 , 9781417573738
    Series Statement: American crossroads 15
    Content: "Examines the importance of culture in the push for black political power and social recognition and argues the key black cultural practices have been notable in reconfiguring the shape and texture of social and cultural life in the U.S. Drawing on examples from jazz, television, and academia, Gray highlights cultural strategies for inclusion in the dominant culture as well as cultural tactics that move beyond the quest for mere recognition by challenging, disrupting, and unsettling dominant cultural representations and institutions. In the end, Gray challenges the conventional wisdom about the centrality of representation and politics in black cultural production"--Provided by publisher
    Content: Acknowledgments; Introduction: Strategies, Tactics, Moves; 1 The New Conditions of Black Cultural Production; 2 Jazz Tradition, Institutional Formation, and Cultural Practice; 3 The Jazz Left; 4 Where Have All the Black Shows Gone?; 5 Television and the Politics of Difference; 6 Different Dreams, Dreams of Difference; 7 Cultural Politics as Outrage(ous); 8 Is (Cyber) Space the Place?; 9 Music, Identity, and New Technology; Conclusion: Cultural Moves; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages 225-240) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    Additional Edition: Erscheint auch als Druck-Ausgabe Gray, Herman, 1950- Cultural moves Berkeley : University of California Press, ©2005
    Language: English
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