Umfang:
1 Online-Ressource (xii, 317 pages)
,
illustrations, music
Ausgabe:
Online-Ausg.
ISBN:
0520264797
,
0520264800
,
0520945697
,
9780520264793
,
9780520264809
,
9780520945692
Inhalt:
Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart
Inhalt:
The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist
Anmerkung:
Includes bibliographical references (pages 299-308) and index
,
English
Weitere Ausg.:
ISBN 9780520264793
Weitere Ausg.:
ISBN 0520264797
Weitere Ausg.:
ISBN 9780520264809
Weitere Ausg.:
ISBN 0520264800
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Ashby, Arved Mark Absolute music, mechanical reproduction Berkeley : University of California Press, ©2010
Sprache:
Englisch
URL:
Volltext
(lizenzpflichtig)
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