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  • 1
    Buch
    Buch
    Oakland, California :University of California Press,
    UID:
    almafu_BV046194340
    Umfang: xvi, 227 Seiten : , Illustrationen, Karte.
    ISBN: 978-0-520-30093-4
    Anmerkung: Erscheint auch als Open Access bei De Gruyter
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-520-97211-7 10.1525/9780520972117
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Oakland : University of California Press
    UID:
    gbv_1778507867
    Umfang: 1 Online-Ressource (248 p.)
    ISBN: 9780520300934
    Inhalt: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that ideological rifts inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016. “Looking at a unique and intriguing set of ‘hybrid media,’ Fallon convincingly makes a claim about a change in the form of new media, one linking politics, aesthetics, and technology.” ALEXANDRA JUHASZ, Brooklyn College, CUNY “Where Truth Lies does the difficult and much-needed work of unpacking how the documentary impulse is shifting in the digital age, both through the profound influence of digital aesthetics and computational thinking and through the ways traditional documentary is infusing digital expression.” JENNIFER MALKOWSKI, author of Dying in Full Detail: Mortality and Digital Documentary KRIS FALLON is Assistant Professor of Cinema and Digital Media at the University of California, Davis."
    Anmerkung: English
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780520300934
    Sprache: Englisch
    URL: Cover
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: OAPEN
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Oakland : University of California Press | Berkeley, CA :University of California Press,
    UID:
    almahu_9948249602702882
    Umfang: 1 online resource (xvi, 227 pages) : , illustrations; PDF, digital file(s).
    Ausgabe: 1st ed.
    ISBN: 9780520300934 , 0520300939
    Inhalt: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Anmerkung: Description based upon print version of record. , Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Preface -- , 1. Seeing in the Dark -- , 2. "We See What We Want to Believe": Archival Logic and Database Aesthetics in the War Films of Errol Morris -- , 3. Networked Audiences: MoveOn.org and Brave New Films -- , 4. "States of Exception": The Paradox of Virtual Documentary Representation -- , 5. Technology, Transparency, and the Digital Presidency -- , 6. Post-Truth Politics: Conspiracy Media and the Specter of "Fake News" -- , Notes -- , Index , Also available in print form. , English.
    Weitere Ausg.: ISBN 9780520972117
    Weitere Ausg.: ISBN 0520972112
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    gbv_1687262497
    Umfang: 1 Online-Ressource (xvi, 227 Seiten) , Illustrationen
    ISBN: 9780520972117
    Inhalt: This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Anmerkung: Enthält Literaturangaben und ein Register , Open Access unrestricted online access , Preface -- 1. Seeing in the dark -- 2. "We see what we want to believe": archival logic and database aesthetics in the war films of Errol Morris -- 3. Networked audiences: MoveOn.org and Brave New Films -- 4. "States of exception": the paradox of virtual documentary representation -- 5. Technology, transparency, and the digital presidency -- 6. Post-truth politics: conspiracy media and the specter of "fake news". , Mode of access: Internet via World Wide Web. , In English
    Weitere Ausg.: ISBN 9780520300934
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Fallon, Kris, 1976 - Where truth lies Oakland, California : University of California Press, 2019 ISBN 9780520300934
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): USA ; Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Geschichte 2000- ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Berkeley :University of California Press,
    UID:
    almahu_9950012722802882
    Umfang: 1 online resource (244 pages)
    Ausgabe: 1st ed.
    ISBN: 9780520972117
    Inhalt: A free open access ebook is available upon publication. Learn more at www.luminosoa.org.   This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms--social networking and crowdsourcing, video games and virtual environments, big data and data visualization--and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Weitere Ausg.: Print version: Fallon, Kris Where Truth Lies Berkeley : University of California Press,c2019 ISBN 9780520300934
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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