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Umfang: 1 online resource (xv, 225 pages) : , illustrations; PDF, digital file(s).

Ausgabe: 1st ed.

ISBN: 9780520301665 , 0520301668

Inhalt: Learn more at www.luminosoa.org.Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries-village to urban, Brahmin to non-Brahmin, hegemonic to non-normative-to explore the artifice of Brahmin masculinity in contemporary South Indian dance.

Anmerkung: Description based upon print version of record. , Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Note on Transliteration -- , Introduction -- , 1. Taking Center Stage: The Poet-Saint and the Impersonator of Kuchipudi Dance History -- , 2. "I am Satyabhama": Constructing Hegemonic Brahmin Masculinity in the Kuchipudi Village -- , 3. Constructing Artifice, Interrogating Impersonation: Madhavi as Vidūṣaka in Village Bhāmākalāpam Performance -- , 4. Bhāmākalāpam beyond the Village: Transgressing Norms of Gender and Sexuality in Urban and Transnational Kuchipudi Dance -- , 5. Longing to Dance: Stories of Kuchipudi Brahmin Women -- , Conclusion: Rewriting the Script for Kuchipudi Dance -- , Notes -- , Bibliography -- , Index , Also available in print form. , In English.

Weitere Ausg.: Print version: ISBN 9780520301665

Sprache: Englisch

DOI: 10.1525/9780520972230

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Umfang: 1 Online-Ressource

ISBN: 9780520972230

Anmerkung: Erscheint als Open Access bei De Gruyter

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-0-520-30166-5

Sprache: Englisch

Schlagwort(e): Indien ; Brahmanen ; Kuchipudi ; Geschlechtsidentität

DOI: 10.1515/9780520972230

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Umfang: 1 online resource (241 pages)

Ausgabe: 1st ed.

ISBN: 9780520972230

Inhalt: Learn more at www.luminosoa.org. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries--village to urban, Brahmin to non-Brahmin, hegemonic to non-normative--to explore the artifice of Brahmin masculinity in contemporary South Indian dance.

Weitere Ausg.: Print version: Kamath, Harshita Mruthinti Impersonations Berkeley : University of California Press,c2019 ISBN 9780520301665

Sprache: Englisch

Schlagwort(e): Electronic books.

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UID:

Umfang: 1 online resource (xv, 225 pages) : , illustrations; PDF, digital file(s).

ISBN: 0-520-30166-8

Inhalt: Learn more at www.luminosoa.org.Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries-village to urban, Brahmin to non-Brahmin, hegemonic to non-normative-to explore the artifice of Brahmin masculinity in contemporary South Indian dance.

Anmerkung: Description based upon print version of record. , Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Note on Transliteration -- , Introduction -- , 1. Taking Center Stage: The Poet-Saint and the Impersonator of Kuchipudi Dance History -- , 2. "I am Satyabhama": Constructing Hegemonic Brahmin Masculinity in the Kuchipudi Village -- , 3. Constructing Artifice, Interrogating Impersonation: Madhavi as Vidūṣaka in Village Bhāmākalāpam Performance -- , 4. Bhāmākalāpam beyond the Village: Transgressing Norms of Gender and Sexuality in Urban and Transnational Kuchipudi Dance -- , 5. Longing to Dance: Stories of Kuchipudi Brahmin Women -- , Conclusion: Rewriting the Script for Kuchipudi Dance -- , Notes -- , Bibliography -- , Index , Also available in print form. , In English.

Weitere Ausg.: Print version: ISBN 9780520301665

Sprache: Englisch

DOI: 10.1525/9780520972230

UID:

Umfang: 1 online resource (1 p.)

ISBN: 9780520301665 , 0520301668 , 9780520972230 , 0520972236

Inhalt: Drawing on multisited ethnographic fieldwork and performance analysis, this book centers on an insular community of Smarta brahmin men from the Kuchipudi village in Telugu-speaking South India, who are required to don strī-vēṣam (woman's guise) and impersonate female characters from Hindu religious narratives. According to the hagiography of Siddhendra, the founding saint of Kuchipudi dance, every brahmin man from a hereditary Kuchipudi family must don strī-vēṣam at least once in his life, a prescription that still resonates in the village today. Impersonation, the term used to indicate the donning of gender guise (vēṣam), is not simply a performative mandate for Kuchipudi brahmin men but also a practice of power that creates normative ideals of brahmin masculinity in village performance and everyday life. However, the construction of brahmin masculinity against the backdrop of impersonation is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian "classical" dance tradition. By shifting from village to urban and transnational spaces, the book traces the technologies of normativity that create, sustain, and undermine normative ideals of gender, caste, and sexuality through the embodied practice of impersonation in contemporary South India.

Sprache: Englisch