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  • 1
    UID:
    almahu_9948313174002882
    Format: xvi, 443 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Note: "NBER."
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414525202882
    Format: 1 online resource (xvi, 443 pages) : , digital, PDF file(s).
    ISBN: 9780511804205 (ebook)
    Content: From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst – responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Introduction: and now for something completely different -- The back story of twentieth-century art -- The greatest artists of the twentieth century -- The most important works of art of the twentieth century -- The greatest artistic breakthroughs of the twentieth century -- The greatest women artists of the twentieth century -- Creating new genres : conceptual artists at work and play in the twentieth century -- And now for something completely different : the versatility of conceptual innovators -- You cannot be serious : the conceptual innovator as trickster -- Painting by proxy : the conceptual artist as manufacturer -- Co-authoring advanced art -- Language in visual art -- Portraits of the artist : personal visual art in the twentieth century -- The rise and (partial) fall of abstract painting in the twentieth century -- The globalization of advanced art in the twentieth century -- Artists and the market : from Leonardo and Titian to Warhol and Hirst -- The state of advanced art : the late twentieth century and beyond.
    Additional Edition: Print version: ISBN 9780521112321
    Language: English
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_595293468
    Format: XVI, 443 S. , 23 cm
    Edition: 1. publ.
    ISBN: 0521129095 , 052111232X , 9780521129091 , 9780521112321
    Note: Literaturverz. S. 405 - 421 und Index , Includes bibliographical references and index
    Language: English
    RVK:
    Keywords: Kunst ; Avantgarde ; Geschichte 1900-2000
    Author information: Galenson, David W. 1951-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    New York : Cambridge Univ. Press
    UID:
    b3kat_BV035755755
    Format: XVI, 443 S.
    Edition: 1. ed., 1. publ.
    ISBN: 9780521112321 , 9780521129091
    Note: Includes bibliographical references and index
    Language: English
    RVK:
    Keywords: Kunst ; Avantgarde ; Geschichte 1900-2000 ; Moderne ; Kunst ; Geschichte 1900-2000 ; Concept-art
    Author information: Galenson, David W. 1951-
    Library Location Call Number Volume/Issue/Year Availability
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