Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_1655765418
    Format: 1 Online-Ressource (xiv, 251 pages) , digital, PDF file(s).
    ISBN: 9781139027007
    Series Statement: Musical performance and reception
    Content: Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career – the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) – are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521197656
    Additional Edition: ISBN 9780521197656
    Additional Edition: Erscheint auch als Varwig, Bettina, 1978 - Histories of Heinrich Schütz Cambridge [u.a.] : Cambridge Univ. Press, 2011 ISBN 9780521197656
    Additional Edition: ISBN 0521197651
    Language: English
    Subjects: History , Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Schütz, Heinrich SWV 97a-256a 1585-1672 Psalmen Davids ; Schütz, Heinrich 1585-1672 Dafne ; Schütz, Heinrich 1585-1672 Musicalische Exequien ; Schütz, Heinrich 1585-1672 Geistliche Chor-Music ; Schütz, Heinrich SWV 97a-256a 1585-1672 Psalmen Davids ; Schütz, Heinrich 1585-1672 Dafne ; Schütz, Heinrich 1585-1672 Musicalische Exequien ; Schütz, Heinrich 1585-1672 Geistliche Chor-Music
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV039609105
    Format: XIV, 251 S. : , Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-0-521-19765-6
    Series Statement: Musical performance and reception
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: SWV 97a-256a 1585-1672 Psalmen Davids Schütz, Heinrich ; 1585-1672 Dafne Schütz, Heinrich ; 1585-1672 Musicalische Exequien Schütz, Heinrich ; 1585-1672 Geistliche Chor-Music Schütz, Heinrich
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414518602882
    Format: 1 online resource (xiv, 251 pages) : , digital, PDF file(s).
    ISBN: 9781139027007 (ebook)
    Series Statement: Musical performance and reception
    Content: Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career – the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) – are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Trumpets and drums (Psalmen Davids, 1617) -- Lutheran Schütz -- Echoes, mirrors and masks (Dafne, 1627) -- Operatic Schütz -- Life, death and afterlife (Musicalische Exequien, 1636) -- Monumental Schütz -- Old and new worlds (Geistlichechor-music, 1648) -- Rhetorical Schütz.
    Additional Edition: Print version: ISBN 9780521197656
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York :Cambridge University Press,
    UID:
    edocfu_9959232671702883
    Format: 1 online resource (xiv, 251 pages) : , digital, PDF file(s).
    ISBN: 1-107-22362-8 , 1-139-15274-2 , 1-283-34233-2 , 9786613342331 , 1-139-16024-9 , 1-139-16124-5 , 1-139-15567-9 , 1-139-15742-6 , 1-139-15919-4 , 1-139-02700-X
    Series Statement: Musical performance and reception
    Content: Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Trumpets and drums (Psalmen Davids, 1617) -- Lutheran Schutz -- Echoes, mirrors and masks (Dafne, 1627) -- Life, death and afterlife (Musicalische Exequien, 1636) -- Old and new worlds (Geistlichechor-music, 1648). , English
    Additional Edition: ISBN 0-521-19765-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 0521145651?
Did you mean 0521192765?
Did you mean 0521097851?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages