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  • 1
    Book
    Book
    Cambridge :Cambridge Univ. Press,
    UID:
    almafu_BV005134257
    Format: X, 431 S.
    Edition: Reprinted
    ISBN: 0-521-22458-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Höfisches Epos ; Satire ; Höfisches Epos ; Ironie
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960119431302883
    Format: 1 online resource (x, 431 pages) : , digital, PDF file(s).
    ISBN: 0-511-82636-2 , 0-511-51951-6
    Content: Despite the fashionable standing of irony in studies of modern literature and its occasional application to medieval studies in a number of recent works, no sustained analysis of this phenomenon has yet been attempted for medieval literature. Professor Green attempts to fill the most important part of this lacuna by discussing irony in the medieval genre in which it is employed most frequently and with the greatest sophistication, the romance. The approach is therefore directed more towards the genre as such than to any specific example, and, although the book is written primarily from a Germanist's point of view, it also takes into account the romances of Chrétien de Troyes and their German adaptations, various examples from the Tristan tradition in France and Germany, Flamenca as an example from Provence, as well as Chaucer's Troilus and Criseyde, and Sir Gawain and the Green Knight from England. Proceeding from a working definition of medieval irony and a survey of the signals which may allow us to perceive its presence, Professor Green considers the possibilities, rhetorical and otherwise, of registering irony in courtly literature at large. From this he moves on to discuss the major themes to which irony may be applied (chivalry and love), as well as the ways in which the narrative is organised so as to bring out any ironic implications of these themes. Subsequent chapters are concerned with the various types of irony to be distinguished: verbal irony, irony of the narrator, dramatic irony, the irony of values, and structural irony. A concluding chapter sums up the reasons, aesthetic and social, for the prevalence of irony in this particular genre of medieval literature.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , PrefaceAbbreviations1. Introduction2. The possibilities of irony in courtly literature3. Irony and chivalry4. Irony and love5. Irony and narrative technique6. Verbal irony7. Irony of the narrator8. Dramatic irony9. The irony of values10. Structural irony11. The reasons for irony in the medieval romanceBibliographyIndex of passages discussedGeneral index. , English
    Additional Edition: ISBN 0-521-02216-9
    Additional Edition: ISBN 0-521-22458-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Cambridge :Cambridge Univ.Pr.,
    UID:
    almafu_BV003343315
    Format: X, 431 S.
    ISBN: 0-521-22458-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Höfisches Epos ; Satire ; Höfisches Epos ; Ironie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883487721
    Format: 1 Online-Ressource (x, 431 pages) , digital, PDF file(s)
    ISBN: 9780511519512
    Content: Despite the fashionable standing of irony in studies of modern literature and its occasional application to medieval studies in a number of recent works, no sustained analysis of this phenomenon has yet been attempted for medieval literature. Professor Green attempts to fill the most important part of this lacuna by discussing irony in the medieval genre in which it is employed most frequently and with the greatest sophistication, the romance. The approach is therefore directed more towards the genre as such than to any specific example, and, although the book is written primarily from a Germanist's point of view, it also takes into account the romances of Chrétien de Troyes and their German adaptations, various examples from the Tristan tradition in France and Germany, Flamenca as an example from Provence, as well as Chaucer's Troilus and Criseyde, and Sir Gawain and the Green Knight from England. Proceeding from a working definition of medieval irony and a survey of the signals which may allow us to perceive its presence, Professor Green considers the possibilities, rhetorical and otherwise, of registering irony in courtly literature at large. From this he moves on to discuss the major themes to which irony may be applied (chivalry and love), as well as the ways in which the narrative is organised so as to bring out any ironic implications of these themes. Subsequent chapters are concerned with the various types of irony to be distinguished: verbal irony, irony of the narrator, dramatic irony, the irony of values, and structural irony. A concluding chapter sums up the reasons, aesthetic and social, for the prevalence of irony in this particular genre of medieval literature
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521224581
    Additional Edition: ISBN 9780521022163
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521224581
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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