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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414958402882
    Format: 1 online resource (x, 177 pages) : , digital, PDF file(s).
    ISBN: 9780511627309 (ebook)
    Uniform Title: Grundlagen der Musikgeschichte.
    Content: This book is the first thoroughgoing study in any language of the philosophy of music history. Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applies the thoughts of these various schools to the specialist requirements of music history and assesses their advantages and shortcomings. Special attention is given to an appraisal of whether Marxist critiques are still viable and where they stand in need of rethinking. For this English edition, the author provided an extensive annotated bibliography.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Is history on the decline -- , The significance of art : historical or aesthetic -- , What is a fact of music history -- , Does music history have a 'subject' -- , Historicism and tradition -- , Hermeneutics in history -- , The value-judgment : object or premise of history -- , The 'relative autonomy' of music history -- , Thoughts on structural history -- , Problems in reception history.
    Additional Edition: Print version: ISBN 9780521232814
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883455706
    Format: Online-Ressource (1 online resource (188 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511627309
    Uniform Title: Grundlagen der Musikgeschichte
    Content: This book is the first thoroughgoing study in any language of the philosophy of music history. Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applies the thoughts of these various schools to the specialist requirements of music history and assesses their advantages and shortcomings. Special attention is given to an appraisal of whether Marxist critiques are still viable and where they stand in need of rethinking. For this English edition, the author provided an extensive annotated bibliography
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , 1. Is history on the decline -- 2. The significance of art : historical or aesthetic -- 3. What is a fact of music history -- 4. Does music history have a 'subject' -- 5. Historicism and tradition -- 6. Hermeneutics in history -- 7. The value-judgment : object or premise of history -- 8. The 'relative autonomy' of music history -- 9. Thoughts on structural history -- 10. Problems in reception history.
    Additional Edition: ISBN 9780521232814
    Additional Edition: ISBN 9780521298902
    Additional Edition: Erscheint auch als Druck-Ausgabe Dahlhaus, Carl, 1928 - 1989 Foundations of music history Cambridge [u.a.] : Cambridge Univ. Press, 1983 ISBN 0521232813
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521232814
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Author information: Dahlhaus, Carl 1928-1989
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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