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  • 1
    Online Resource
    Online Resource
    Ithaca ; London : Cornell University Press
    UID:
    b3kat_BV046265957
    Format: 1 Online-Ressource
    Edition: First paperback printing
    ISBN: 9781501746673 , 9781501746680
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe, cloth ISBN 978-0-8014-1922-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, pbk ISBN 978-1-5017-4666-6
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0-8014-1922-0
    Language: English
    Subjects: Romance Studies
    RVK:
    RVK:
    RVK:
    Keywords: Altfranzösisch ; Roman ; Altfranzösisch ; Lyriktheorie ; Altfranzösisch ; Lyrik ; Handschrift ; Altfranzösisch ; Versepik ; Altfranzösisch ; Erzählgedicht ; Poetik
    URL: Volltext  (kostenfrei)
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  • 2
    UID:
    almafu_BV000782431
    Format: X, 372 S. : , Ill.
    Edition: 1. publ.
    ISBN: 0-8014-1922-0
    Language: English
    Subjects: Romance Studies
    RVK:
    RVK:
    RVK:
    Keywords: Altfranzösisch ; Roman ; Altfranzösisch ; Lyriktheorie ; Altfranzösisch ; Lyrik ; Handschrift ; Altfranzösisch ; Versepik ; Altfranzösisch ; Erzählgedicht ; Poetik
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  • 3
    UID:
    gbv_1853336602
    Format: 1 Online-Ressource (390 p.)
    ISBN: 9781501746673 , 9781501746680 , 9781501746666 , 9780801419225
    Content: As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles
    Note: English
    Language: Undetermined
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  • 4
    UID:
    gbv_1678581259
    Format: 1 Online-Ressource (x, 372 pages) , illustrations
    ISBN: 0801419220 , 1501746677 , 9781501746673 , 9780801419225
    Note: Includes bibliographical references (pages 351-364) and index
    Additional Edition: ISBN 0801419220
    Additional Edition: Erscheint auch als Druck-Ausgabe Huot, Sylvia From song to book Ithaca : Cornell University Press, 1987
    Language: English
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  • 5
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    edoccha_9959213162402883
    Format: 1 online resource (x, 372 p. :) , ill. ;
    ISBN: 1-5017-4667-7
    Content: As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
    Note: Includes index. , Frontmatter -- , Contents -- , Acknowledgments / , Introduction -- , Part One: On the Nature of the Book in the Thirteenth and Fourteenth Centuries -- , Part Two: Lyricism and the Book in the Thirteenth Century -- , Part Three: Lyricism and the Book in the Fourteenth Century -- , Conclusion -- , Appendix A: The Rubrication of Guillaume de Lorris in MS Bibl. Nat. fr. 378 -- , Appendix B: Table of Miniatures in Selected Texts by Machaut, MSS Bibl. Nat. fr. 1584 and 1586 -- , Appendix C : Excerpt from an Unedited Volume of Le Roman de Perceforest, MS Bibl. Nat. fr. 346 -- , Bibliography of Works Cited -- , Index , In English.
    Additional Edition: ISBN 0-8014-1922-0
    Additional Edition: ISBN 9781501746666
    Language: English
    Keywords: Electronic books.
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  • 6
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    edocfu_9959213162402883
    Format: 1 online resource (x, 372 p. :) , ill. ;
    ISBN: 1-5017-4667-7
    Content: As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
    Note: Includes index. , Frontmatter -- , Contents -- , Acknowledgments / , Introduction -- , Part One: On the Nature of the Book in the Thirteenth and Fourteenth Centuries -- , Part Two: Lyricism and the Book in the Thirteenth Century -- , Part Three: Lyricism and the Book in the Fourteenth Century -- , Conclusion -- , Appendix A: The Rubrication of Guillaume de Lorris in MS Bibl. Nat. fr. 378 -- , Appendix B: Table of Miniatures in Selected Texts by Machaut, MSS Bibl. Nat. fr. 1584 and 1586 -- , Appendix C : Excerpt from an Unedited Volume of Le Roman de Perceforest, MS Bibl. Nat. fr. 346 -- , Bibliography of Works Cited -- , Index , In English.
    Additional Edition: ISBN 0-8014-1922-0
    Additional Edition: ISBN 9781501746666
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    almahu_9948249603202882
    Format: 1 online resource (x, 372 p. :) , ill. ;
    ISBN: 1-5017-4667-7
    Content: As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
    Note: Includes index. , Frontmatter -- , Contents -- , Acknowledgments / , Introduction -- , Part One: On the Nature of the Book in the Thirteenth and Fourteenth Centuries -- , Part Two: Lyricism and the Book in the Thirteenth Century -- , Part Three: Lyricism and the Book in the Fourteenth Century -- , Conclusion -- , Appendix A: The Rubrication of Guillaume de Lorris in MS Bibl. Nat. fr. 378 -- , Appendix B: Table of Miniatures in Selected Texts by Machaut, MSS Bibl. Nat. fr. 1584 and 1586 -- , Appendix C : Excerpt from an Unedited Volume of Le Roman de Perceforest, MS Bibl. Nat. fr. 346 -- , Bibliography of Works Cited -- , Index , In English.
    Additional Edition: ISBN 0-8014-1922-0
    Additional Edition: ISBN 9781501746666
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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