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  • 1
    Online Resource
    Online Resource
    Ithaca ; London : Cornell University Press
    UID:
    b3kat_BV045901347
    Format: 1 Online-Ressource
    Edition: Second paperback printing
    ISBN: 9781501734625 , 9781501740664
    Content: Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition on the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints on epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than in literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, including students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe, gebunden ISBN 978-0-8014-2700-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, broschiert ISBN 978-1-5017-4065-7
    Language: English
    Subjects: Ancient Studies
    RVK:
    RVK:
    RVK:
    Keywords: Griechisch ; Epos ; Homerus ca. v8. Jh. ; Epos ; Griechenland ; Kultur ; Geschichte ; Rezeption ; Geschichte 1880-1960 ; Griechenland ; Kultur ; Geschichte ; Neugriechisch ; Literatur ; Griechenland ; Literatur ; Tradition ; Moderne ; Geschichte 1880-1960 ; Griechisch ; Literatur ; Rezeption ; Neugriechisch ; Griechenland ; Kulturelle Identität ; Tradition ; Modernismus ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Ithaca u.a. :Cornell Univ. Press,
    UID:
    almafu_BV007705128
    Format: XII, 225 S.
    Edition: 1. publ.
    ISBN: 0-8014-2700-2
    Content: Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition on the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints on epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than in literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, including students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
    Note: Literaturverz. S. 203 - 216
    Language: English
    Subjects: Ancient Studies
    RVK:
    Keywords: Griechisch ; Epos ; ca. v8. Jh. Homerus ; Epos ; Kultur ; Rezeption ; Kultur ; Neugriechisch ; Literatur ; Literatur ; Tradition ; Moderne ; Griechisch ; Literatur ; Rezeption ; Neugriechisch ; Kulturelle Identität ; Tradition ; Modernismus ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    almafu_9959072702402883
    Format: 1 online resource (xii, 225 p. )
    ISBN: 1-5017-3462-8
    Content: Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism.Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past.Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Author's Note -- , Introduction -- , 1. The Genre: Traditional Definitions of Epic -- , 2. The Poem: Homer's Muses and the Unity of Epic -- , 3. The Poet: Tradition, Transmission, and Time -- , 4. The Text: Signs of Writing in Homer -- , 5. Poetry: The Voice of Song -- , Conclusion -- , Bibliography -- , Index Locorum -- , General Index , In English.
    Additional Edition: ISBN 0-8014-2700-2
    Additional Edition: ISBN 9781501740657
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Ithaca [u.a.] :Cornell Univ. Press,
    UID:
    almafu_BV010279485
    Format: XII, 225 S.
    Edition: 1. print.
    ISBN: 0-8014-8237-2 , 0-8014-2700-2
    Series Statement: Cornell paperbacks
    Language: English
    Subjects: Ancient Studies
    RVK:
    Keywords: ca. v8. Jh. Homerus ; Epos ; Griechisch ; Epos ; Kultur ; Rezeption ; Kultur ; Neugriechisch ; Literatur ; Literatur ; Tradition ; Moderne ; Griechisch ; Literatur ; Rezeption ; Neugriechisch ; Kulturelle Identität ; Tradition ; Modernismus ; Hochschulschrift ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Ithaca [u.a.] :Cornell Univ. Press,
    UID:
    almafu_BV010331064
    Format: XI, 257 S.
    Edition: 1. publ.
    ISBN: 0-8014-2700-2 , 0-8014-3057-7
    Series Statement: Myth and poetics
    Language: English
    Subjects: Ancient Studies
    RVK:
    RVK:
    Keywords: Literatur ; Tradition ; Moderne ; Kulturelle Identität ; Tradition ; Modernismus ; Griechisch ; Literatur ; Rezeption ; Neugriechisch ; Kultur ; Neugriechisch ; Literatur ; Kultur ; Rezeption ; ca. v8. Jh. Homerus ; Epos ; Griechisch ; Epos ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    edoccha_9959072702402883
    Format: 1 online resource (xii, 225 p. )
    ISBN: 1-5017-3462-8
    Content: Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism.Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past.Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Author's Note -- , Introduction -- , 1. The Genre: Traditional Definitions of Epic -- , 2. The Poem: Homer's Muses and the Unity of Epic -- , 3. The Poet: Tradition, Transmission, and Time -- , 4. The Text: Signs of Writing in Homer -- , 5. Poetry: The Voice of Song -- , Conclusion -- , Bibliography -- , Index Locorum -- , General Index , In English.
    Additional Edition: ISBN 0-8014-2700-2
    Additional Edition: ISBN 9781501740657
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    edocfu_9959072702402883
    Format: 1 online resource (xii, 225 p. )
    ISBN: 1-5017-3462-8
    Content: Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism.Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past.Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Author's Note -- , Introduction -- , 1. The Genre: Traditional Definitions of Epic -- , 2. The Poem: Homer's Muses and the Unity of Epic -- , 3. The Poet: Tradition, Transmission, and Time -- , 4. The Text: Signs of Writing in Homer -- , 5. Poetry: The Voice of Song -- , Conclusion -- , Bibliography -- , Index Locorum -- , General Index , In English.
    Additional Edition: ISBN 0-8014-2700-2
    Additional Edition: ISBN 9781501740657
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    almahu_9949711428002882
    Format: 1 online resource (xii, 225 p. )
    ISBN: 1-5017-3462-8
    Content: Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism.Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past.Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Author's Note -- , Introduction -- , 1. The Genre: Traditional Definitions of Epic -- , 2. The Poem: Homer's Muses and the Unity of Epic -- , 3. The Poet: Tradition, Transmission, and Time -- , 4. The Text: Signs of Writing in Homer -- , 5. Poetry: The Voice of Song -- , Conclusion -- , Bibliography -- , Index Locorum -- , General Index , In English.
    Additional Edition: ISBN 0-8014-2700-2
    Additional Edition: ISBN 9781501740657
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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