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  • 1
    Online-Ressource
    Online-Ressource
    Cornell University Press | Ithaca, NY :Cornell University Press,
    UID:
    almafu_9959072701102883
    Umfang: 1 online resource (xii, 292 p. :) , ill. ;
    ISBN: 9781501742538 , 1501742531
    Inhalt: Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
    Anmerkung: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Introduction -- , Chapter 1. Late Medieval Writers as Owners and Protectors of Their Texts -- , Chapter 2. Para textual Interaction between Poets and Book Producers -- , Chapter 3. The Changing Image of the Poet -- , Chapter 4. Changing Authorial Signatures in Late Medieval Books -- , Chapter 5. Authorial and Narrative Voices in Late Medieval Vernacular Texts -- , Afterword -- , Appendix 1. Documentation of Andre de Ia Vigne's 1504 Lawsuit and Bibliographical Data -- , Appendix 2. Bibliographical Data for Jean Lemaire de Belges -- , Appendix 3. Bibliographical Data for Jean Bouchet -- , Appendix 4. Bibliographical Data for Jean Molinet -- , Appendix 5. Bibliographical Data for Pierre Gringore -- , Bibliography -- , Index , In English.
    Weitere Ausg.: ISBN 9781501742521
    Weitere Ausg.: ISBN 9780801430718
    Weitere Ausg.: ISBN 0801430712
    Weitere Ausg.: ISBN 9781501742545
    Weitere Ausg.: ISBN 150174254X
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Ithaca [u.a.] :Cornell Univ. Press,
    UID:
    almafu_BV010557537
    Umfang: XII, 292 S. : Ill.
    Ausgabe: 1. publ.
    ISBN: 0-8014-3071-2
    Inhalt: Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
    Sprache: Englisch
    Fachgebiete: Romanistik , Allgemeines
    RVK:
    RVK:
    Schlagwort(e): Druckprivileg ; Schriftsteller ; Schriftsteller ; Drucker ; Literarisches Leben ; Kulturgut ; Recht ; Urheberrecht ; Buch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Ithaca ; London : Cornell University Press
    UID:
    b3kat_BV045901374
    Umfang: 1 Online-Ressource
    Ausgabe: First paperback printing
    ISBN: 9781501742538 , 9781501742545
    Inhalt: Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
    Anmerkung: Erscheint als Open Access bei De Gruyter
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, geb. ISBN 978-0-8014-3071-8
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, pbk. ISBN 978-1-5017-4252-1
    Sprache: Englisch
    Fachgebiete: Romanistik , Allgemeines
    RVK:
    RVK:
    Schlagwort(e): Frankreich ; Druckprivileg ; Schriftsteller ; Geschichte 1500-1600 ; Frankreich ; Schriftsteller ; Drucker ; Geschichte 1500-1600 ; Frankreich ; Literarisches Leben ; Geschichte 1500-1600 ; Frankreich ; Kulturgut ; Recht ; Geschichte 1500-1599 ; Frankreich ; Urheberrecht ; Geschichte 1500-1599 ; Frankreich ; Buch ; Geschichte 1500-1599
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Cornell University Press | Ithaca, NY :Cornell University Press,
    UID:
    edoccha_9959072701102883
    Umfang: 1 online resource (xii, 292 p. :) , ill. ;
    ISBN: 1-5017-4253-1
    Inhalt: Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
    Anmerkung: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Introduction -- , Chapter 1. Late Medieval Writers as Owners and Protectors of Their Texts -- , Chapter 2. Para textual Interaction between Poets and Book Producers -- , Chapter 3. The Changing Image of the Poet -- , Chapter 4. Changing Authorial Signatures in Late Medieval Books -- , Chapter 5. Authorial and Narrative Voices in Late Medieval Vernacular Texts -- , Afterword -- , Appendix 1. Documentation of Andre de Ia Vigne's 1504 Lawsuit and Bibliographical Data -- , Appendix 2. Bibliographical Data for Jean Lemaire de Belges -- , Appendix 3. Bibliographical Data for Jean Bouchet -- , Appendix 4. Bibliographical Data for Jean Molinet -- , Appendix 5. Bibliographical Data for Pierre Gringore -- , Bibliography -- , Index , In English.
    Weitere Ausg.: ISBN 0-8014-3071-2
    Weitere Ausg.: ISBN 1-5017-4254-X
    Weitere Ausg.: ISBN 9781501742521
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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