Format:
VIII, 330 S.
,
Ill.
ISBN:
0813033497
,
9780813044866
,
9780813033495
Content:
Inhaltsverzeichnis: Introduction. Signing on / Debra Rae Cohen, Michael Coyle, and Jane Lewty -- Medium and metaphor. Inventing the radio cosmopolitan: vernacular modernism at a standstill / Aaron Jaffe -- Wireless ego: the pulp physics of psychoanalysis / Jeffrey Sconce -- Marinetti, Marconista: the futurist manifestos and the emergence of wireless writing / Timothy C. Campbell -- "Masters of sacred ceremonies": Welles, Corwin, and a radiogenic modernist literature / Martin Spinelli -- Flying solo: the charms of the radio body / David Jenemann -- Pressures and intrusions. Gertrude Stein and the radio / Sarah Wilson -- The Voice of America in Richard Wright's Lawd today! / Jonah Willihnganz -- Annexing the oracular voice: form, ideology and the BBC / Debra Rae Cohen -- Desmond MacCarthy, Bloomsbury, and the aestheticist ethics of broadcasting / Todd Avery -- "We speak to India": T. S. Eliot's wartime broadcasts and the frontiers of culture / Michael Coyle -- Negotiations, transactions, translations. "What they had heard said written": Joyce, Pound and the cross-correspondence of radio / Jane Lewty -- "Speech without practical locale": radio and Lorine Niedecker's aurality / Brook Houglum -- Materializing Millay: the 1930s radio broadcasts / Lesley Wheeler -- Updating Baudelaire for the radio age: the refractive poetics of "The pleasures of merely circulating" / J. Stan Barrett -- I switch off: Beckett and the ideals of radio / Steven Connor
Content:
Klappentext: It has long been accepted that film helped shape the modernist novel and that modernist poetry would be inconceivable without the typewriter. Yet radio, a key influence on modernist literature, remains the invisible medium. The contributors to Broadcasting Modernism argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicize their work. They saw in radio the same spirit of experimentation that animated modernism itself. Because early broadcasts were rarely recorded, radio's influence on literary modernism often seems equally ephemeral in the historical record. Broadcasting Modernism helps fill this void, providing a new perspective for modernist studies even as it reconfigures the landscape of the era itself.
Note:
Hier auch später erschienene, unveränderte Nachdrucke
,
Includes bibliographical references (p. 295-316) and index
,
Introduction. Signing on
,
Medium and metaphor. Inventing the radio cosmopolitan: vernacular modernism at a standstill
,
Wireless ego: the pulp physics of psychoanalysis
,
Marinetti, Marconista: the futurist manifestos and the emergence of wireless writing
,
"Masters of sacred ceremonies": Welles, Corwin, and a radiogenic modernist literature
,
Flying solo: the charms of the radio body
,
Pressures and intrusions. Gertrude Stein and the radio
,
The Voice of America in Richard Wright's Lawd today!
,
Annexing the oracular voice: form, ideology and the BBC
,
Desmond MacCarthy, Bloomsbury, and the aestheticist ethics of broadcasting
,
"We speak to India": T. S. Eliot's wartime broadcasts and the frontiers of culture
,
Negotiations, transactions, translations. "What they had heard said written": Joyce, Pound and the cross-correspondence of radio
,
"Speech without practical locale": radio and Lorine Niedecker's aurality
,
Materializing Millay: the 1930s radio broadcasts
,
Updating Baudelaire for the radio age: the refractive poetics of "The pleasures of merely circulating"
,
I switch off: Beckett and the ideals of radio
Language:
English
Subjects:
General works
Keywords:
Rundfunk
;
Moderne
;
Literatur
;
Autor
;
Geschichte 1901-2000
;
Aufsatzsammlung
URL:
https://upf.com/book.asp?id=9780813044866
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