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  • 1
    Book
    Book
    Lexington, Ky. : University Press of Kentucky
    UID:
    gbv_160730970X
    Format: XV, 514 S. , Ill.
    ISBN: 0813121388
    Note: Filmography: p. 468-473 , Includes bibliographical references (p. 493-500) and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Stroheim, Erich von 1885-1957 ; Stroheim, Erich von 1885-1957 ; Biografie
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Lexington : University Press of Kentucky
    UID:
    gbv_1003573207
    Format: 1 Online-Ressource (xv, 514 pages, [48] pages of plates) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    ISBN: 0813171253 , 0813121388 , 9780813171258 , 9780813121383
    Content: Erich von Stroheim (1885-1957) was one of the giants in American film history. Stubborn, arrogant, and colorful, he saw himself as a cinema artist, which led to conflicts with producers and studio executives who complained about the inflated budgets and extraordinary length of his films. Stroheim achieved great notoriety and success, but he was so uncompromising that he turned his triumph into failure. He was banned from ever directing again and spent his remaining years as an actor. Stroheim's life has been wreathed in myths, many of his own devising. Arthur Lennig scoured European and Americ
    Content: Cover; Title; Copyright; Contents; Fade-in; Preface; 1 Beginnings; 2 The Ascent; 3 The Artist; 4 Blind Husbands; 5 The Devil's Pass Key; 6 Foolish Wives; 7 Merry-Go-Round; 8 Greed; 9 The Merry Widow; 10 The Wedding March; 11 The Honeymoon; 12 Queen Kelly; 13 The Descent; 14 Walking down Broadway; 15 The Depths; 16 A Star in France; 17 America Again; 18 The Last Years; Filmography; Notes; Selected Bibliography; Index; Photos follow pages 142; Photos follow pages 238; Photos follow pages 334
    Note: Filmography: pages 468-473 -- Includes bibliographical references (pages 493-500) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
    Additional Edition: ISBN 0813121388
    Additional Edition: ISBN 9780813121383
    Additional Edition: Erscheint auch als Druck-Ausgabe Lennig, Arthur Stroheim Lexington : University Press of Kentucky, ©2000
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Lexington :University Press of Kentucky,
    UID:
    almahu_9948316507702882
    Format: xv, 514 p., [48] p. of plates : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
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  • 4
    Online Resource
    Online Resource
    Lexington : University Press of Kentucky
    UID:
    kobvindex_INTEBC848937
    Format: 1 online resource (580 pages)
    Edition: 1st ed.
    ISBN: 9780813137506
    Content: Erich von Stroheim (1885-1957) was one of the giants in American film history. Stubborn, arrogant, and colorful, he saw himself as a cinema artist, which led to conflicts with producers and studio executives who complained about the inflated budgets and extraordinary length of his films. Stroheim achieved great notoriety and success, but he was so uncompromising that he turned his triumph into failure. He was banned from ever directing again and spent his remaining years as an actor. Stroheim's life has been wreathed in myths, many of his own devising. Arthur Lennig scoured European and American archives for details concerning the life of the actor and director, and he counters several long-accepted claims. Stroheim's tales of military experience are almost completely fictitious; the ""von"" in his name was an affectation adopted at Ellis Island in 1909; and, counter to his own claim, he did not participate in the production of The Birth of a Nation in 1914. Wherever Stroheim lived, he was an outsider: a Jew in Vienna, an Austrian in southern California, an American in France. This contributed to an almost pathological need to embellish and obscure his past; yet, it also may have been the key to his genius both behind and in front of the camera. As an actor, Stroheim threw himself into his portrayals of evil men, relishing his epithet, ""The Man You Love to Hate."" As a director, he immersed himself in every facet of production, including script writing and costume design. In 1923 he created his masterpiece Greed, infamous for its eight-hour running time. Stroheim returned to acting, saving some of his finest performances for La Grande Illusion (1937) and Billy Wilder's Sunset Boulevard (1950), a role he hated, probably because it was too similar to the story of his own life
    Note: Cover -- Title -- Copyright -- Contents -- Fade-in -- Preface -- 1 Beginnings -- 2 The Ascent -- 3 The Artist -- 4 Blind Husbands -- 5 The Devil's Pass Key -- 6 Foolish Wives -- 7 Merry-Go-Round -- 8 Greed -- 9 The Merry Widow -- 10 The Wedding March -- 11 The Honeymoon -- 12 Queen Kelly -- 13 The Descent -- 14 Walking down Broadway -- 15 The Depths -- 16 A Star in France -- 17 America Again -- 18 The Last Years -- Filmography -- Notes -- Selected Bibliography -- Index -- Photos follow pages 142 -- Photos follow pages 238 -- Photos follow pages 334
    Additional Edition: Print version Lennig, Arthur Stroheim Lexington : University Press of Kentucky,c2000 ISBN 9780813121383
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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