Umfang:
1 Online-Ressource (vii, 213 pages)
Ausgabe:
Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
ISBN:
081319217X
,
0813124220
,
0813172306
,
1282976273
,
9780813192178
,
9780813124223
,
9780813172309
,
9781282976276
Serie:
The philosophy of popular culture
Inhalt:
Film noir--a cycle of American films from the 1940s and '50s--is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overriding sense of alienation and moral ambiguity. Noir films reflect the sense of loss, fragmentation, and nihilism at the heart of the human condition in the twentieth century. Although the classic film noir period ended in the late 1950s, its impact on more films has been profound. While typically not black and white, these new films incorpor
Inhalt:
pt. 1. Subjectivity, knowledge, and human nature in neo-noir -- pt. 2. Justice, guilt, and redemption : morality in neo-noir -- pt. 3. Elements of neo-noir
Anmerkung:
Includes bibliographical references and index
,
Use copy Restrictions unspecified star MiAaHDL
,
Electronic reproduction
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Weitere Ausg.:
ISBN 9780813192178
Weitere Ausg.:
ISBN 081319217X
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Philosophy of neo-noir Lexington, Ky : University Press of Kentucky, ©2007
Sprache:
Englisch
URL:
Volltext
(lizenzpflichtig)
Mehr zum Autor:
Conard, Mark T. 1965-
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