Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Online Resource
    Online Resource
    New York ; London : New York University Press
    UID:
    b3kat_BV049824860
    Format: 1 Online-Ressource
    ISBN: 9780814790595 , 9780814744673
    Series Statement: Critical Cultural Communication
    Content: Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-8147-9057-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-8147-9058-8
    Language: English
    Keywords: USA ; Homosexualität ; Soziale Situation ; Soziale Klasse ; Film ; Fernsehserie
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    New York [u.a.] :New York Univ. Press,
    UID:
    almafu_BV040738612
    Format: XII, 201 S. : , Ill.
    ISBN: 978-0-8147-9057-1 , 978-0-8147-9058-8 , 978-0-8147-9059-5 , 978-0-8147-4467-3
    Series Statement: Critical cultural communication
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Homosexualität ; Soziale Situation ; Soziale Klasse ; Film ; Fernsehserie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    edoccha_9959241199402883
    Format: 1 online resource (214 p.)
    ISBN: 0-8147-9059-3
    Series Statement: Critical cultural communication
    Content: Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.
    Note: Description based upon print version of record. , The class character of boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition : queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion : a cultural politics of love and solidarity. , English
    Additional Edition: ISBN 0-8147-9058-5
    Additional Edition: ISBN 0-8147-9057-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York : NYU Press
    UID:
    gbv_739122991
    Format: Online-Ressource (214 p)
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    ISBN: 9780814790571
    Series Statement: Critical cultural communication
    Content: Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace -rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with rea
    Note: Description based upon print version of record , Cover; Contents; Acknowledgments; Introduction: Love and Money, Queerness and Class; 1. The Class Character of Boys Don't Cry; 2. Queer Visibility and Social Class; 3. Every Queer Thing We Know; 4. Recognition: Queers, Class, and Dorothy Allison; 5. Queer Relay; 6. Plausible Optimism; Conclusion: A Cultural Politics of Love and Solidarity; Notes; References; Films; Television Programs; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Z; About the Author; , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9780814790595
    Additional Edition: ISBN 9780814790571
    Additional Edition: Erscheint auch als Druck-Ausgabe Love and Money : Queers, Class, and Cultural Production
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    almahu_9949707946902882
    Format: xii, 201 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Critical cultural communication
    Note: The class character of boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition : queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion : a cultural politics of love and solidarity.
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 081474057x?
Did you mean 0814710573?
Did you mean 0814780377?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages