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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1869157729
    Format: 1 Online-Ressource (16 p.)
    ISBN: 9780815396277 , 9780815396284
    Content: As a first step towards tackling vocal presence as a matter of time, the proposed strategy is to attend to a particularly crucial moment in voice training: listening to one’s own voice while in act of voicing. Even if voicers are trained to ‘be in the moment’ or to ‘achieve presence,’ they can only rely on post-voicing auditory feedback or pre-voicing kinaesthetic awareness; voice perception is always-not-yet there or always-already there. When asked about definitions of vocal presence or whether they have developed a definition of vocal presence for the specific purposes of their studio work, all interviewees admit the complexity or impossibility of the task. Vocal presence can move beyond the bounds of the individual body and physiological or psychological notions of tension and release. Jane Boston asserts that an advantageous starting point for training vocal presence is breath, as ‘phonation depends on the appropriate manipulation of breath pressure and its conscious application for production of efficient soundwaves’
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1697909264
    Format: 1 online resource.
    ISBN: 9781351180344 , 1351180347 , 9781351180368 , 1351180363 , 9781351180351 , 1351180355 , 9781351180337 , 1351180339
    Content: Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth.
    Additional Edition: ISBN 9780815396277
    Additional Edition: ISBN 0815396279
    Additional Edition: ISBN 9780815396284
    Additional Edition: ISBN 0815396287
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780815396277
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    London ; New York : Routledge Taylor and Francis Group
    UID:
    b3kat_BV045932745
    Format: XVIII, 232 Seiten , Illustrationen , 24 cm
    Edition: First published
    ISBN: 9780815396277 , 0815396279 , 9780815396284 , 0815396287
    Content: "Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: - age/aging and children in the training context - how training impacts over a lifetime - the duration of training and the impact of training regimes over time - concepts of timing and the 'right' time - how time is viewed from a range of international training perspectives - collectives, ensembles and fashions in training, their decay, or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces, and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars, and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance"--
    Note: Literaturangaben , Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- , The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- , Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth
    Additional Edition: ebook version ISBN 9781351180344
    Language: English
    Keywords: Schauspielkunst ; Timing ; Schauspielkunst ; Zeit ; Aufsatzsammlung ; Einführung
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1869158059
    Format: 1 Online-Ressource
    ISBN: 9781351180368 , 9780815396277 , 9780815396284
    Content: Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: age/aging and children in the training context, how training impacts over a lifetime, the duration of training and the impact of training regimes over time, concepts of timing and the ‘right’ time, how time is viewed from a range of international training perspectives, collectives, ensembles and fashions in training, their decay or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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