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  • 1
    Book
    Book
    Syracuse, New York : SU, Syracuse University Press
    UID:
    gbv_872884538
    Format: xi, 294 Seiten
    Edition: 1st edition
    ISBN: 9780815634751 , 9780815634904
    Series Statement: Irish studies
    Content: Introduction: setting the scene -- Theatre, gender, and politics, 1921-1979. Nation, conflict, and the politics of feminism -- Theatre and state censorship -- Raising the curtain: Alice Milligan, Patricia O'Connor, and Mary O'Malley -- Troubles and the stage, 1980-1997. Community engagement: The Charabanc Theatre Company -- Political drama and controversy: Dubbeljoint and the Justus Community Theatre Company -- The Post-Agreement North, 1998-2012 -- Borderlands and the rural north: Abbie Spallen -- The protestant urban underclass: Stacey Gregg and Rosemary Jenkinson -- Experimental theatre and queer dramaturgy: Shannon Yee -- Conclusion: making strides
    Note: Literaturverzeichnis: Seiten 277-288
    Additional Edition: ISBN 9780815653882
    Language: English
    Keywords: Nordirland ; Autorin ; Politisches Theater ; Feminismus ; Einflussnahme ; Geschlechterrolle ; Sozialgeschichte 1921-2012 ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Syracuse : Syracuse University Press
    UID:
    gbv_1888871148
    Format: 1 Online-Ressource
    ISBN: 9780815653882 , 0815653883
    Series Statement: Irish Studies
    Content: Since the establishment of the Northern Irish state in 1921, theatre has often captured and reflected the political, social, and cultural changes that the North has experienced. From the mid-twentieth century, theatre has played a particularly important role in documenting women's experiences and in showing how women's social and political status has changed with the transformation of the state. Throughout the North's history, women's dramatic writing and performance have often contradicted mainstream narratives of the sectarian conflict, creating a rich and daring trove of counternarratives that contest the stories promoted by the government and media. Moving beyond the better-known women theatre practitioners of the North such as Marie Jones, Christina Reid, Anne Devlin, and the Charabanc Theatre Company, Coffey recovers the lost history of lesser-known, early playwrights and highlights a new generation of women writing during peacetime. She examines how Northern women have historically used the theatrical stage as a form of political activism when more traditional avenues were closed off to them. Tracing the development of women's involvement in Northern theatre, Coffey ultimately illuminates how issues such as feminism, gender roles, violence, politics, and sectarianism have shifted over the past century as the North moves from conflict into a developing and fragile peace
    Note: Includes bibliographical references and index , Introduction: setting the scene -- Theatre, gender, and politics, 1921-1979. Nation, conflict, and the politics of feminism -- Theatre and state censorship -- Raising the curtain: Alice Milligan, Patricia O'Connor, and Mary O'Malley -- Troubles and the stage, 1980-1997. Community engagement: The Charabanc Theatre Company -- Political drama and controversy: Dubbeljoint and the Justus Community Theatre Company -- The Post-Agreement North, 1998-2012 -- Borderlands and the rural north: Abbie Spallen -- The protestant urban underclass: Stacey Gregg and Rosemary Jenkinson -- Experimental theatre and queer dramaturgy: Shannon Yee -- Conclusion: making strides.
    Additional Edition: ISBN 9780815634904
    Additional Edition: Erscheint auch als Druck-Ausgabe Coffey, Fiona Coleman author Political acts Syracuse : Syracuse University Press, 2016 ISBN 9780815634904
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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