UID:
edocfu_9959236508502883
Format:
1 online resource (301 p.)
Edition:
1st ed.
ISBN:
1-283-12830-6
,
9786613128300
,
0-8195-7062-1
Series Statement:
Music/culture
Content:
Ethnographically-grounded studies of technology in global music.
Note:
Description based upon print version of record.
,
Contents; Acknowledgments; CHAPTER ONE: Introduction: Wired Sound and Sonic Cultures; CHAPTER TWO: Reaching ""Overseas"": South African Sound Engineers, Technology, and Tradition; CHAPTER THREE: ""The Disc Is Not the Avenue"": Schismogenetic Mimesis in Samba Recording; CHAPTER FOUR: Nigel Pegrum, ""Didjeridu-Friendly Sections,"" and What Constitutes an ""Indigenous"" CD: An Australian Case Study of Producing ""World Music"" Recordings; CHAPTER FIVE: Music Mediated as Live in Austin: Sound, Technology, and Recording Practice
,
CHAPTER SIX: Media as Social Action: Native American Musicians in the Recording StudioCHAPTER SEVEN: Engineering Techno-Hybrid Grooves in Two Indonesian Sound Studios; CHAPTER EIGHT: Short-Circuiting Perceptual Systems: Timbre in Ambient and Techno Music; CHAPTER NINE: ""Heaviness"" in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features over Time; CHAPTER TEN: Mixed Messages: Unsettled Cosmopolitanisms in Nepali Pop; CHAPTER ELEVEN: The Soundscape of the Radio: Engineering Modern Songs and Superculture in Nepal
,
CHAPTER TWELVE: Music and the Rise of Radio in Twenties America: Technological Imperialism, Socialization, and the Transformation of IntimacyCHAPTER THIRTEEN: Afterword; List of Contributors; Index
,
English
Additional Edition:
ISBN 0-8195-6516-4
Language:
English
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