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  • 1
    Buch
    Buch
    Durham [u.a.] :Duke Univ. Press,
    UID:
    almafu_BV025359994
    Umfang: X, 215 S. : , Ill.
    Ausgabe: 3. print.
    ISBN: 0-8223-1651-X , 0-8223-1663-3
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): Gothic novel ; Ungeheuer ; Geschichte ; Gothic novel ; Das Unheimliche
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    Durham [u.a.] : Duke Univ. Press
    UID:
    b3kat_BV010708998
    Umfang: X, 215 S. , Ill.
    ISBN: 082231651X , 0822316633
    Weitere Ausg.: Elektronische Reproduktion Halberstam, Jack Skin shows [Durham] : Duke University Press, [2020?] ISBN 978-0-8223-9807-3
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): Gothic novel ; Ungeheuer ; Geschichte ; Gothic novel ; Das Unheimliche
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    [Durham] :Duke University Press,
    UID:
    almahu_BV047114222
    Umfang: 1 Online-Ressource (X, 215 Seiten) : , Illustrationen.
    ISBN: 978-0-8223-9807-3
    Inhalt: In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity
    Weitere Ausg.: Elektronische Reproduktion von Halberstam, Jack Skin shows Durham : Duke University Press, 1995 ISBN 0-8223-1651-X
    Weitere Ausg.: ISBN 0-8223-1663-3
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): Gothic novel ; Ungeheuer ; Geschichte ; Gothic novel ; Das Unheimliche
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Buch
    Buch
    Durham [u.a.] : Duke Univ. Press
    UID:
    b3kat_BV036053001
    Umfang: X, 215 S. , Ill.
    Ausgabe: [4. print.]
    ISBN: 9780822316633 , 082231651X , 0822316633
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): Gothic novel ; Ungeheuer ; Geschichte ; Gothic novel ; Das Unheimliche
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    almafu_9961913338502883
    Umfang: 1 online resource (232 p.) : , 6 b&w photographs
    ISBN: 9780822398073
    Inhalt: In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.
    Anmerkung: Frontmatter -- , Contents -- , Acknowledgments -- , 1 Parasites and Perverts: An Introduction to Gothic Monstrosity -- , 2 Making Monsters: Mary Shelley's Frankenstein -- , 3 Gothic Surface, Gothic Depth: The Subject of Secrecy in Stevenson and Wilde -- , 4 Technologies of Monstrosity: Bram Stoker's Dracula -- , 5 Reading Counterclockwise: Paranoid Gothic or Gothic Paranoia? -- , 6 Bodies That Splatter: Queers and Chain Saws -- , 7 Skinflick: Posthuman Gender in Jonathan Demme's The Silence of the Lambs -- , 8 Conclusion: Serial Killing -- , Notes -- , Bibliography -- , Index , Issued also in print. , In English.
    Weitere Ausg.: ISBN 9780822316633
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    almafu_9959677784902883
    Umfang: 1 online resource (229 p.)
    ISBN: 9780822316633 , 0822316633 , 9780822398073 , 0822398079
    Inhalt: In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.
    Anmerkung: Bibliographic Level Mode of Issuance: Monograph , Parasites and perverts: an introduction to gothic monstrosity -- Making monsters: Mary Shelley's Frankenstein -- Gothic surface, gothic depth: the subject of secrecy in Stevenson and Wilde -- Technologies of monstrosity: Bram Stoker's Dracula -- Reading counterclockwise: paranoid gothic or gothic paranoia? -- Bodies that splatter: queers and chain saws -- Skinflick: posthuman genderin Jonathan Demme's The silence of the lambs -- Conclusion: serial killing. , English
    Weitere Ausg.: ISBN 9781306896146
    Weitere Ausg.: ISBN 1306896142
    Weitere Ausg.: ISBN 9780822316510
    Weitere Ausg.: ISBN 082231651X
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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