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  • 1
    Buch
    Buch
    The fruit machine : twenty years of writings on queer cinema (2000)
    Durham [u.a.] :Duke Univ. Press,
    Details
    UID:
    almafu_BV013163490
    Umfang: XII, 312 S. : Ill.
    ISBN: 0-8223-2433-4 , 0-8223-2468-7
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    AP 50300
    Schlagwort(e): Film ; Homosexualität ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    The fruit machine : twenty years of writings on queer cinema (2000)
    Durham :Duke University Press,
    Details
    UID:
    almahu_9949369686302882
    Umfang: 1 online resource (xii, 312 p.) : , ill.
    Ausgabe: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Serie: e-Duke books scholarly collection.
    Anmerkung: Description based on print version record
    Weitere Ausg.: Print version: Waugh, Thomas, 1948- Fruit machine Durham : Duke University Press, 2000 ISBN 0822324334
    Weitere Ausg.: ISBN 9780822324331
    Weitere Ausg.: ISBN 0822324687
    Weitere Ausg.: ISBN 9780822324683
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    URL: Click to View
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    HU Berlin
  • 3
    Online-Ressource
    Online-Ressource
    Fruit Machine, The : Twenty Years of Writings on Queer Cinema
    Duke University Press Books
    Details
    UID:
    edocfu_9959677296702883
    Umfang: 1 online resource (328 p.) , ill
    Inhalt: For more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine-a collection of Waugh's reviews and articles originally published in gay community tabloids, academic journals, and anthologies-charts the emergence and maturation of Waugh's critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking.In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky's and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence.
    Weitere Ausg.: ISBN 0-8223-2468-7
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    FU Berlin
  • 4
    Online-Ressource
    Online-Ressource
    Fruit Machine, The : Twenty Years of Writings on Queer Cinema
    Duke University Press Books
    Details
    UID:
    almafu_9959677296702883
    Umfang: 1 online resource (328 p.) , ill
    Inhalt: For more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine-a collection of Waugh's reviews and articles originally published in gay community tabloids, academic journals, and anthologies-charts the emergence and maturation of Waugh's critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking.In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky's and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence.
    Weitere Ausg.: ISBN 0-8223-2468-7
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    FU Berlin
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