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  • 1
    UID:
    gbv_1736582623
    Format: 1 Online-Ressource (248 pages)
    Edition: First edition
    ISBN: 9781003103981 , 1003103987 , 9781000211559 , 100021155X , 9781000213218 , 1000213218 , 9781000212327 , 1000212327
    Content: Introduction The invention of the magazine (1843-1918)From a photographThe halftone agePress photographersThe role of the art directorReflections of the warGeneral news magazines: European know-how (1919-1936)Berliner Illustrirte Zeitung before the warThe postwar German press: a competitive marketPropagandist visual strategies A style for news magazinesAn aesthetics of transparencyVU: a photographic workshopNarrating the newsThe Life model and the standardization of news magazines (1936-1976)From idea to actuality: the beginnings of LifeDramatizing the newsFrom the photographic essay to the pictorial essayChallenges to authorityTowards diversificationConclusion
    Content: The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
    Additional Edition: ISBN 9781474295192
    Additional Edition: ISBN 1474295193
    Additional Edition: ISBN 9781474295208
    Additional Edition: ISBN 1474295207
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781474295192
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9949464630702882
    Format: 1 online resource (xii, 228 pages) : , illustrations (some color), facsimiles, portraits
    ISBN: 100021155X , 9781474295239 , 1474295231 , 9781474295215 , 1474295215 , 9781000213218 , 1000213218 , 1003103987 , 9781003103981 , 9781000212327 , 1000212327 , 9781000211559
    Uniform Title: Fabrique de l'information visuelle.
    Content: "The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture"--Publisher's description.
    Note: Introduction -- The invention of the Magazine (1843-1918) -- General news magazines: European know-how (1919-1936) -- The Life model and the standardization of news magazines (1936-1976) -- Conclusion. , Translated from the French.
    Additional Edition: Print version: ISBN 9781474295208
    Language: English
    Keywords: History.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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