Format:
xiii, 163 Seiten
,
Illustrationen
ISBN:
9780367409593
Series Statement:
Routledge research in art history
Content:
Mobility and containment in Eastman Johnson's genre paintings -- Mapping Enoch Wood Perry's genre scenes -- Crossing thresholds in Thomas Hovenden's Breaking home ties -- Dislocation and connection in John Sloan's scenes of urban transport.
Content:
"Lacey Baradel (MA'10, PhD'14) publishes her dissertation, Mobility and Identity in US Genre Painting: Painting at the Threshold. This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (c. 1860-1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-1895), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by instead privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography"--
Note:
Includes bibliographical references and index
,
Dissertation University of Pennsylvania 2014
Additional Edition:
ISBN 9780367810122
Additional Edition:
Erscheint auch als Online-Ausgabe Baradel, Lacey, 1982 - Mobility and Identity in US Genre Painting New York : Routledge, Taylor & Francis Group, 2021 ISBN 9781000290400
Language:
English
Keywords:
USA
;
Genremalerei
;
Gesellschaft
;
Migration
;
Geschichte 1860-1910
;
Johnson, Eastman 1824-1906
;
Perry, Enoch Wood 1831-1915
;
Hovenden, Thomas 1840-1895
;
Sloan, John 1871-1951
;
Genremalerei
;
Hochschulschrift
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