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  • 1
    Buch
    Buch
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV047400271
    Umfang: xv, 230 Seiten : , Illustrationen.
    ISBN: 978-1-4724-4031-0 , 978-1-032-02778-4
    Serie: Routledge Research in Gender and Art
    Inhalt: "Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art."
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-00-040533-0
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Malerin ; Malerei ; Orientalismus ; Frauenkunst ; Orientalismus
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    almahu_9949386827702882
    Umfang: 1 online resource (xv, 230 pages) : , illustrations.
    ISBN: 9781003185130 , 1003185134 , 1000405338 , 9781000405347 , 1000405346 , 9781000405330
    Serie: Routledge research in gender and art
    Inhalt: "This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists' cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary 'open platform of discussion' approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women's painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land-all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made 'ethnographic' scenes. Kelly argues that French women's perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women's socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women's art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the History of Art, Gender Studies, History, and Middle Eastern and North African Studies"--
    Anmerkung: Marie Élisabeth Aimée Lucas-Robiquet (1858-1959): interior depictions of Maghrebi weavers -- Interior representations of Maghrebi women -- Describing the Maghrebi exterior: women Orientalists' depictions of life and landscape -- Modernism in the works of French women Orientalists.
    Weitere Ausg.: Print version: Kelly, Mary (Art historian). French women orientalist artists, 1861-1956 Abingdon, Oxon ; New York : Routledge, 2021. ISBN 9781032027784
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; History.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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