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  • 1
    UID:
    gbv_1786881934
    Format: 1 online resource , color illustrations.
    Edition: Extended and modified edition.
    ISBN: 9781003163930 , 1003163939 , 9781000453324 , 1000453324 , 9781000453348 , 1000453340
    Series Statement: Routledge advances in theatre & performance studies
    Uniform Title: Kép, jelenlét, kenózis a kortárs francia költészetben és Valère Novarina színházában
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780367757694
    Additional Edition: ISBN 9780367757717
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780367757694
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Milton : Taylor & Francis Group
    UID:
    gbv_1771014334
    Format: 1 online resource (251 pages)
    ISBN: 9781000453348
    Series Statement: Routledge Advances in Theatre and Performance Studies
    Content: Intro -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgments -- Introduction (theoretical framework) -- The pictorial turn -- Cognitive metaphor -- Art as visual communication and poetic rituality -- How fantasy works, and empathy -- Visuality in literature, literature in visual art forms -- Literature and film -- Theatrical communication. Visuality in the theater. Theater and literature -- Anamorphism and interpretation -- Notes -- Bibliography -- Part I: Image and presence: two trends in contemporary French poetry -- 1. Predecessors: contemporary French poets in the pages of Nyugat and La Nouvelle Revue Française (NRF) between 1909 and 1937 -- Notes -- 2. Yves Bonnefoy and the poetry of presence -- Other Home. Yves Bonnefoy at the turn of the millennium -- Yves Bonnefoy: Alexandre Hollan: thirty years of reflections (1985-2015) -- Notes -- 3. The new lyricism -- Jean-Michel Maulpoix: Une histoire de bleu -- Pas sur la neige -- Notes -- 4. Conclusion -- Bibliography -- Outline placeholder -- Contemporary French poets in the pages of Nyugat and La Nouvelle Revue Française between 1909 and 1937 -- Yves Bonnefoy -- Cited Works -- Cited Scholarly Literature -- Jean-Michel Maulpoix -- Cited Scholarly Literature -- Part II: Theatrical presence, poetic rituality, and the theater of kenotic rituals -- 5. Methodological considerations and the Hungarian context of reception -- Notes -- 6. Kenosis in theology -- Notes -- 7. Kenosis in Simone Weil's mysticism -- Theater in Simone Weil -- Images and outlook -- Notes -- 8. Mysticism in the approach to theater: the "kenotic" theater -- Theatrical forms and training: Grotowski, Kantor, and Barba -- Valère Novarina's "kenotic" theater and Talking with Angels -- Notes -- 9. Figures and disfigurations of the human face.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780367757694
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780367757694
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9949385275302882
    Format: 1 online resource : , color illustrations.
    Edition: Extended and modified edition.
    ISBN: 9781003163930 , 1003163939 , 9781000453324 , 1000453324 , 9781000453348 , 1000453340
    Series Statement: Routledge Advances in theatre and performance studies
    Uniform Title: Kép, jelenlét, kenózis a kortárs francia költészetben és Valère Novarina színházában.
    Content: "This book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of "kenosis". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina's oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices - János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba - facilitating a better understanding of Novarina's works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina's theatre, and will be of great interest to students and scholars in theatre and literature studies"--
    Note: "Translated from Hungarian and French by Peter V. Czipott and Enikő Sepsi"--Title page verso.
    Additional Edition: Print version: Sepsi, Enikő. Poetic images, presence, and the theater of kenotic rituals Abingdon, Oxon ; New York : Routledge, 2022 ISBN 9780367757694
    Language: English
    Keywords: Electronic books. ; Criticism, interpretation, etc. ; History.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    edoccha_9960981681902883
    Format: 1 online resource : , illustrations
    Edition: 1st ed.
    ISBN: 1-00-316393-9 , 1-000-45332-4 , 1-003-16393-9 , 1-000-45334-0
    Content: "This book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of "kenosis". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina's oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices - János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba - facilitating a better understanding of Novarina's works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina's theatre, and will be of great interest to students and scholars in theatre and literature studies"--
    Note: Introduction -- PART I: Image and presence: two trends in contemporary French poetry -- 1.Predecessors: Contemporary French poets in the pages of Nyugat and Nouvelle Revue Francaise (NRF) Between 1909 and 1937 -- 2. Yves Bonnefoy and the poetry of presence -- 3. The new lyricism -- 4. Conclusion PART II: Theatrical presence, poetic rituality, and the theater of kenotic rituals -- 5. Methodological considerations and the Hungarian Context of Reception -- 6. Kenosis in theology -- 7. Kenosis in Simone Weil's mysticism -- 8. Mysticism in the approach to theater: The "kenotic" theater -- 9. Figures and Disfigurations of the Human Face -- 10. On Bearing Witness to a Poetic Ritual. Robert Wilson's Deafman Glance as seen by Janos Pilinszky -- 11. Valere Novarina and Janos Pilinszky, or the Theater of Unselfed Poetry -- 12. Sacred or Holy? Dramaturgy in Valere Novarina's theater -- 13. Emptiness, Space, and time in Valere Novarina's theater -- 14. Rituals in Valere Novarina's works -- 15. The Imaginary Animal -- 16. Novarina's works produced in Hungary Summary -- 17. Appendix 1 -- 18. Appendix 2 -- 19. Appendix 3 -- 20. Appendix 4. , In English.
    Additional Edition: ISBN 0-367-75769-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    edocfu_9960981681902883
    Format: 1 online resource : , illustrations
    Edition: 1st ed.
    ISBN: 1-00-316393-9 , 1-000-45332-4 , 1-003-16393-9 , 1-000-45334-0
    Content: "This book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of "kenosis". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina's oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices - János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba - facilitating a better understanding of Novarina's works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina's theatre, and will be of great interest to students and scholars in theatre and literature studies"--
    Note: Introduction -- PART I: Image and presence: two trends in contemporary French poetry -- 1.Predecessors: Contemporary French poets in the pages of Nyugat and Nouvelle Revue Francaise (NRF) Between 1909 and 1937 -- 2. Yves Bonnefoy and the poetry of presence -- 3. The new lyricism -- 4. Conclusion PART II: Theatrical presence, poetic rituality, and the theater of kenotic rituals -- 5. Methodological considerations and the Hungarian Context of Reception -- 6. Kenosis in theology -- 7. Kenosis in Simone Weil's mysticism -- 8. Mysticism in the approach to theater: The "kenotic" theater -- 9. Figures and Disfigurations of the Human Face -- 10. On Bearing Witness to a Poetic Ritual. Robert Wilson's Deafman Glance as seen by Janos Pilinszky -- 11. Valere Novarina and Janos Pilinszky, or the Theater of Unselfed Poetry -- 12. Sacred or Holy? Dramaturgy in Valere Novarina's theater -- 13. Emptiness, Space, and time in Valere Novarina's theater -- 14. Rituals in Valere Novarina's works -- 15. The Imaginary Animal -- 16. Novarina's works produced in Hungary Summary -- 17. Appendix 1 -- 18. Appendix 2 -- 19. Appendix 3 -- 20. Appendix 4. , In English.
    Additional Edition: ISBN 0-367-75769-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    almahu_9949438119502882
    Format: 1 online resource : , illustrations
    Edition: 1st ed.
    ISBN: 1-00-316393-9 , 1-000-45332-4 , 1-003-16393-9 , 1-000-45334-0
    Content: "This book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of "kenosis". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina's oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices - János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba - facilitating a better understanding of Novarina's works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina's theatre, and will be of great interest to students and scholars in theatre and literature studies"--
    Note: Introduction -- PART I: Image and presence: two trends in contemporary French poetry -- 1.Predecessors: Contemporary French poets in the pages of Nyugat and Nouvelle Revue Francaise (NRF) Between 1909 and 1937 -- 2. Yves Bonnefoy and the poetry of presence -- 3. The new lyricism -- 4. Conclusion PART II: Theatrical presence, poetic rituality, and the theater of kenotic rituals -- 5. Methodological considerations and the Hungarian Context of Reception -- 6. Kenosis in theology -- 7. Kenosis in Simone Weil's mysticism -- 8. Mysticism in the approach to theater: The "kenotic" theater -- 9. Figures and Disfigurations of the Human Face -- 10. On Bearing Witness to a Poetic Ritual. Robert Wilson's Deafman Glance as seen by Janos Pilinszky -- 11. Valere Novarina and Janos Pilinszky, or the Theater of Unselfed Poetry -- 12. Sacred or Holy? Dramaturgy in Valere Novarina's theater -- 13. Emptiness, Space, and time in Valere Novarina's theater -- 14. Rituals in Valere Novarina's works -- 15. The Imaginary Animal -- 16. Novarina's works produced in Hungary Summary -- 17. Appendix 1 -- 18. Appendix 2 -- 19. Appendix 3 -- 20. Appendix 4. , In English.
    Additional Edition: ISBN 0-367-75769-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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