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  • 1
    UID:
    almahu_9949385356102882
    Format: 1 online resource : , illustrations.
    ISBN: 9781000461381 , 1000461386 , 9781003157540 , 1003157548 , 9781000461374 , 1000461378
    Series Statement: Routledge studies in cultural history ; 114
    Content: "This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations' cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children's literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres-feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions"--
    Additional Edition: Print version: East Asian-German cinema New York : Routledge, 2022 ISBN 9780367743772
    Language: English
    Keywords: Electronic books. ; History. ; Criticism, interpretation, etc.
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  • 2
    UID:
    gbv_1767694873
    Format: xii, 309 Seiten , Ilustrationen , 23 cm
    ISBN: 9780367743772 , 9780367743789
    Series Statement: Routledge studies in cultural history 114
    Additional Edition: ISBN 9781000461381
    Additional Edition: ISBN 9781000461374
    Additional Edition: ISBN 9781003157540
    Additional Edition: ISBN 9781000461381
    Additional Edition: Erscheint auch als Online-Ausgabe East Asian-German cinema New York : Routledge, Taylor & Francis Goup, 2022 ISBN 9781000461381
    Additional Edition: ISBN 1000461386
    Additional Edition: ISBN 9781003157540
    Additional Edition: ISBN 1003157548
    Additional Edition: ISBN 9781000461374
    Additional Edition: ISBN 1000461378
    Language: English
    Author information: Cho, Joanne Miyang 1959-
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  • 3
    Online Resource
    Online Resource
    Milton : Taylor & Francis Group
    UID:
    b3kat_BV048728710
    Format: 1 online resource (325 pages)
    ISBN: 9781000461381
    Series Statement: Routledge Studies in Cultural History Ser v.114
    Content: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- Acknowledgments -- 1 German Cinema, German Hybrid Cinema, and Organization -- PART I: Film Adaptations and Representations of the East Asian-German Relationship, 1919-1945 -- 2 Implicating Buddhism in Madame Butterfly's Tragedy: Japonisme and Japan-Bashing in Fritz Lang's Harakiri (1919) -- 3 The Familiar Unfamiliar: Japan in Interwar German Feature Films -- 4 "A Loving Family" (Ai no ikka, 1941): The Transcultural Film Adaptation of a Classic German Children's Book in Wartime Japan -- 5 Documentaries about Jewish Exiles in Shanghai: Witness Testimony and Cross-Cultural Public Memory Formation -- PART II: Representations of Gender in the 1950s and 1960s: Asian Femininity and Idealized Masculinity -- 6 A Façade of Solidarity: East Germany's Attempted Dialogue with China in The Compass Rose (Die Windrose, 1957) -- 7 The World(s) of Anna Suh: Race, Migration, and Ornamentalism in Bis zum Ende aller Tage (Until the End of Days, 1961) -- 8 Idealized Masculinity, National Identity, and the Other: The James Bond Archetype in German and Japanese Spy Fiction -- PART III: Cultural Globalization and the Persistence of the Popular since the 1970s -- 9 China's Encounter with Mozart in Two Films: From Musical Modernity to Cultural Globalization -- 10 The Persistence of the Popular: The Cinemas of National Division in Germany and Korea -- PART IV: East Asian-German Entanglements since the 1980s -- 11 Temporal Structures and Rhythms in Wenders' Tokyo-Ga (1985) and Ottinger's The Korean Wedding Chest (2009) -- 12 My Own Private Tokyo: The Japan Features of Doris Dörrie -- 13 Claiming Cultural Citizenship: East Asian-German Presence on YouTube and Public Television's www.funk.net -- Contributors -- Index
    Language: English
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